{"id":12718,"date":"2025-04-30T13:41:30","date_gmt":"2025-04-30T11:41:30","guid":{"rendered":"https:\/\/publikationer.acdan.it\/?page_id=12718"},"modified":"2025-12-17T10:50:33","modified_gmt":"2025-12-17T09:50:33","slug":"publikationer-supplementum","status":"publish","type":"page","link":"https:\/\/publikationer.acdan.it\/en\/publikationer-supplementum\/","title":{"rendered":"Publikationer &#8211; ARID Supplementum"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Sektion&#8221; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;||3px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width_tablet=&#8221;95%&#8221; width_phone=&#8221;95%&#8221; width_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; pac_dcm_carousel_specific_module_num=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; header_text_align=&#8221;center&#8221; header_font_size_tablet=&#8221;&#8221; header_font_size_phone=&#8221;48px&#8221; header_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>ARID Supplementum<\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; module_id=&#8221;ARID&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;16px||152px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width_tablet=&#8221;95%&#8221; width_phone=&#8221;95%&#8221; width_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; pac_dcm_carousel_specific_module_num=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Analecta Romana Instituti Danici. Supplementum (ARIDS) er den monografiske serie af supplementbind knyttet til ARID. Ligesom tidsskriftet udkom det f\u00f8rste nummer i 1960. Serien publicerer studier \u2013 monografier, doktorhandlinger, akterne fra de mange symposier og seminarer, der afholdes p\u00e5 instituttet mm \u2013 indenfor Instituttets hovedforskningsomr\u00e5der: humanistiske studier (antikhistorie, ark\u00e6ologi, filologi, historie, kunsthistorie, litteratur, mm), arkitektur, billedkunst og musikologi.<\/p>\n<p>Indsendelse tilskyndes fra enhver forsker og ekspert, der arbejder indenfor instituttets felter. Formel tilknytning til instituttet kr\u00e6ves ikke. Kontakt venligst redaktionen for at dr\u00f8fte indsendelsen af manus.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width_tablet=&#8221;95%&#8221; width_phone=&#8221;95%&#8221; width_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; pac_dcm_carousel_specific_module_num=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; pac_dcm_carousel_specific_module_num=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;14px&#8221; text_line_height=&#8221;16px&#8221; link_font_size=&#8221;14px&#8221; link_line_height=&#8221;16px&#8221; header_4_font_size=&#8221;30px&#8221; header_6_font=&#8221;|600|||||||&#8221; header_6_font_size=&#8221;16px&#8221; hover_enabled=&#8221;0&#8243; custom_css_main_element=&#8221;p {||  margin-top: 0;||  margin-bottom: 0em;||  padding-bottom: 0;||}||||\/* G\u00f8r toggle-titel klikbar og med plads til ikonet *\/||.my-supp-accordion .et_pb_toggle_title {||  position: relative;||  padding-left: 1.5em;       \/* skubber teksten ud, s\u00e5 ikonet f\u00e5r plads *\/||  cursor: pointer;||}||||\/* Plus-ikon n\u00e5r toggle er lukket *\/||.my-supp-accordion .et_pb_toggle_title::before {||  content: %22%922795%22;           \/* Unicode plus-tegn *\/||  position: absolute;||  left: 0;||  top: 50%;||  transform: translateY(-50%) scale(0.6);  \/* centrer og halver st\u00f8rrelse *\/||  transition: transform 0.2s;||}||||\/* Minus-ikon n\u00e5r toggle er \u00e5ben *\/||.my-supp-accordion .et_pb_toggle_open .et_pb_toggle_title::before {||  content: %22%922796%22;           \/* Unicode minus-tegn *\/||}||&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"supp-row-group\" style=\"margin-bottom:2em;\"><div class=\"supp-thumbs\" style=\"display:flex;flex-wrap:wrap;gap:1em;\"><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece7255c0&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2026\/06\/ARIDS-62-Italian-Paintings-Featured-Gold-rotated.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">LXII<\/div><div class=\"supp-title\"><em>Italian Paintings Featuring Gold at the National Gallery of Denmark: Reflection, Devotion, Experience (c. 1320- c- 1450)<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece727856&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2026\/02\/ARIDS-61-Canons-and-Icons-copia.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">LXI<\/div><div class=\"supp-title\"><em>Canons and Icons. Re-wondering a Transcultural Contamination<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72814a&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2026\/01\/ARIDS-60-Religion-and-Economy.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">LX<\/div><div class=\"supp-title\"><em>Religion and Economy. Historical, Contemporary and Philosophical Perspectives<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece728dc9&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2026\/01\/LIX-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">LIX<\/div><div class=\"supp-title\"><em>Subversive Painting: Giovanni da San Giovanni and his Circle in Seventeenth-Century Florence<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece729296&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/9788854915398_0_350_0_75.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">LVIII<\/div><div class=\"supp-title\"><em>Roman Carthage. A Reappraisal<\/em><\/div><\/div><\/div><div class=\"supp-details\" style=\"display:none;margin-top:1em;\"><\/div><div id=\"supp_6a91ece7255c0\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">LXII &nbsp;&nbsp;<em>Italian Paintings Featuring Gold at the National Gallery of Denmark: Reflection, Devotion, Experience (c. 1320- c- 1450)<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Marina Vidas<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><p style=\"margin:0 0 .5em;\">Hjemmeside: <a href=\"https:\/\/edizioniquasar.it\/products\/italian-paintings\" target=\"_blank\" rel=\"noopener nofollow\">https:\/\/edizioniquasar.it\/products\/italian-paintings<\/a><\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>Acknowledgements<\/p>\n<p>List of Figures<\/p>\n<p>Introduction<\/p>\n<p>Catalog of Paintings<\/p>\n<p>Illustrations<\/p>\n<p>Bibliography<\/p>\n<p>Index of Paintings and Manuscripts<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece727856\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">LXI &nbsp;&nbsp;<em>Canons and Icons. Re-wondering a Transcultural Contamination<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Angela Gigliotti, Chiara Monterumisi &amp; Monica Prencipe (Ed.)<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizione Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>Contents<\/p>\n<p>Acknowledgement<\/p>\n<p>Angela Gigliotti, Chiara Monterumisi and Monica Prencipe,\u00a0<em>Introduction<\/em><\/p>\n<p><strong>Wanders &amp; Encounters<\/strong><\/p>\n<p>Carlotta Torricelli,\u00a0<em>The Two Sides of Swedish Neoclassicism. The Tension of Compositional Quests in Carl August Ehrensv\u00e4rd<br \/>\n<\/em><\/p>\n<p>Espen Johnsen,\u00a0<em>Architectural Order and Complexity. Visual Strategies in Blakstad and Munthe-Kaas&#8217;s Italian Study Tours<\/em><\/p>\n<p>Eeva-Liisa Pelkonen,\u00a0<em>Aalto&#8217;s Swerve<\/em><\/p>\n<p>Tom Davies and Gabrielle Kielland Friis,\u00a0<em>From Archeology to Post-war Architecture. The Work of Anne Tinne Kjelland Friis and Mogens L\u00f8nborg Friis<\/em><\/p>\n<p><strong>Media &amp; Kommunikation<\/strong><\/p>\n<p>Elena Ghiacci,\u00a0<em>A Dutch Connection. Roots of the Italian Interest Towards Dutch Culture<\/em><\/p>\n<p>Fabio Ferrarini,\u00a0<em>Echoes of Rome in the Far North. The Bimillenary of Augustus and the Norwegian Cultural Caravan<\/em><\/p>\n<p><strong>Figures<\/strong><\/p>\n<p>Guillermo S. Arsuaga,\u00a0<em>&#8220;An Island Without Architects&#8221;. When MoMA Met Lanzarote<\/em><\/p>\n<p>Rosana Rubio Hern\u00e1ndez and Fernando Nieto Fern\u00e1ndez,\u00a0<em>Nordic Imprints on Spanish Architecture. A Long Perspective<\/em><\/p>\n<p>Rebecca Carrai,\u00a0<em>Governance by Home Design. Ikea&#8217;s Misson to &#8216;Swedishise&#8217; Italy<\/em><\/p>\n<p><strong>Agencies and Infrastructures<\/strong><\/p>\n<p>Peyman Akhgar,\u00a0<em>Twentieth-Century Iran and the Genesis of Architectual Education. The Role of the \u00c8cole des Beux-Arts<\/em><\/p>\n<p>Marco Moro,\u00a0<em>Theories in Practice. Enrico Tedeschi Between Italy and Cono Sur<\/em><\/p>\n<p>Vendula Hn\u00eddkov\u00e1,\u00a0<em>Garden Cities Movement in Motion. The Czech Lands as Transformer and Transmitter of the Urban Reform Vision<\/em><\/p>\n<p>Melissa Rovner,\u00a0<em>The Bungalow as a Mediator of Modernity. Translations in Town Planning Beyond East-West Binary Contructs<\/em><\/p>\n<p><strong>Afterward<\/strong><\/p>\n<p>Frederikke Lausch,\u00a0<em>On the construction of transnationalism and transculturalism through Unesco<\/em><\/p>\n<p>Authors&#8217; Bios<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72814a\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">LX &nbsp;&nbsp;<em>Religion and Economy. Historical, Contemporary and Philosophical Perspectives<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Erik Sporon Fiedler<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p class=\"x_MsoNormal\"><span lang=\"DA\" data-olk-copy-source=\"MessageBody\">Contents<\/span><\/p>\n<p class=\"x_MsoNormal\"><span lang=\"DA\">Erik Sporon Fi<\/span><span lang=\"DA\">e<\/span><span lang=\"DA\">dl<\/span><span lang=\"DA\">e<\/span><span lang=\"DA\">r, <em>Preface <\/em><\/span><\/p>\n<p class=\"x_MsoNormal\"><span lang=\"DA\">Erik Sporon Fi<\/span><span lang=\"DA\">e<\/span><span lang=\"DA\">dl<\/span><span lang=\"DA\">e<\/span><span lang=\"DA\">r, <em>On Studying Religion and Economy<\/em> <\/span><\/p>\n<p class=\"x_MsoNormal\"><span lang=\"DA\">Tro<\/span><span lang=\"DA\">e<\/span><span lang=\"DA\">l<\/span><span lang=\"DA\">s K<\/span><span lang=\"DA\">rarup, <em>Ideas, Motifs or Problems? On the Methodology of Studying Religion and Economy (with a Digression on Agamben) <\/em><\/span><span lang=\"DA\">\u00a0<\/span><\/p>\n<p class=\"x_MsoNormal\"><span lang=\"DA\">Lotte List, <em>Permanent Crisis: Visions of Modern Time in Koselleck, Agamben, and Benjamin <\/em><\/span><\/p>\n<p class=\"x_MsoNormal\">Dario Gentili, <em>The Last Judgment and the Neoliberal Rational Choice<\/em><\/p>\n<p class=\"x_MsoNormal\"><span lang=\"DA\">Francoi<\/span><span lang=\"DA\">s <\/span><span lang=\"DA\">Zammi<\/span><span lang=\"DA\">t<\/span><span lang=\"DA\">, <em>Hayek\u2019s Market Order as Hidden God and Leviathan<\/em> <\/span><\/p>\n<p class=\"x_MsoNormal\"><span lang=\"DA\">M<\/span><span lang=\"DA\">i<\/span><span lang=\"DA\">t<\/span><span lang=\"DA\">ch<\/span><span lang=\"DA\">e<\/span><span lang=\"DA\">ll <\/span><span lang=\"DA\">De<\/span><span lang=\"DA\">an, <em>Economic Theology, Ascesis, Ethos<\/em> <\/span><\/p>\n<p class=\"x_MsoNormal\">Erik Sporon Fiedler, <em>Crisis, Critique and Religion: Giorgio Agambens responses to the Eurozone Crisis<\/em><\/p>\n<p class=\"x_MsoNormal\">Josef Hien, <em>Christian religions and prejudices about economic behavior during the Eurozone crisis<\/em><\/p>\n<p class=\"x_MsoNormal\">Marianne Schleicher, <em>Entanglements of Jewish Piety and Economics in Medieval Ashkenaz<\/em><\/p>\n<p class=\"x_MsoNormal\">Paolo Napoli, <em>Charismatic bureaucracy<\/em><\/p>\n<p class=\"x_MsoNormal\">Micha\u00ebl Bauwens, <em>On the Economics of the Eucharist: the time and value of Calvary as a missing piece of Max Weber\u2019s theory<\/em><\/p>\n<p class=\"x_MsoNormal\">Paolo Santori, <em>Economics and Religion in the 21st Century: The Economy of Francesco and its <\/em>coincidentia oppositorum<\/p>\n<p class=\"x_MsoNormal\"><span lang=\"DA\">M<\/span><span lang=\"DA\">ikk<\/span><span lang=\"DA\">e<\/span><span lang=\"DA\">l Thorup, <em>Debt as Bond and Bondage <\/em><\/span><em><span lang=\"DA\">\u00a0<\/span><\/em><\/p>\n<p class=\"x_MsoNormal\"><span lang=\"DA\">Author Biographies<\/span><span lang=\"DA\">\u00a0<\/span><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece728dc9\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">LIX &nbsp;&nbsp;<em>Subversive Painting: Giovanni da San Giovanni and his Circle in Seventeenth-Century Florence<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Morten Steen Hansen<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p class=\"x_Pa1\"><span class=\"x_A5\"><span lang=\"DA\" data-olk-copy-source=\"MessageBody\">Contents<\/span><\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\"><span lang=\"DA\">List of illustrations, captions <\/span><\/span><span class=\"x_A4\"><span lang=\"DA\">\u00a0<\/span><\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\"><span lang=\"DA\">Preface <\/span><\/span><span class=\"x_A4\"><span lang=\"DA\">\u00a0<\/span><\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\"><span lang=\"DA\">Introduction <\/span><\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\"><span lang=\"DA\">C<\/span><\/span><span class=\"x_A4\"><span lang=\"DA\">hapter <\/span><\/span><span class=\"x_A4\"><span lang=\"DA\">1 Grand Duke\/Grand Turk: Gender, Islam, and the Courtly Tone\u00a0<\/span><\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\">C<\/span><span class=\"x_A4\">hapter <\/span><span class=\"x_A4\">2 The Charity of Giovanni da San Giovanni<\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\">C<\/span><span class=\"x_A4\">hapter <\/span><span class=\"x_A4\">3 From the Gospels to the Piovano Arlotto<\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\">C<\/span><span class=\"x_A4\">hapter <\/span><span class=\"x_A4\">4 Idol, Abjection, and the Miraculous Image in San Biagio, Montepulciano <\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\">C<\/span><span class=\"x_A4\">hapter <\/span><span class=\"x_A4\">5 Anti-Guido <\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\">C<\/span><span class=\"x_A4\">hapter <\/span><span class=\"x_A4\">6 The Sala degli Argenti, I: The Satyr in the Allegory <\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\">C<\/span><span class=\"x_A4\">hapter <\/span><span class=\"x_A4\">7 The Sala degli Argenti, II: Truth, Mirror, Painting <\/span><span class=\"x_A4\">\u00a0<\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\">C<\/span><span class=\"x_A4\">hapter <\/span><span class=\"x_A4\">8 The Sala degli Argenti, III: Ariosto and the Verso of Painting <\/span><span class=\"x_A4\">\u00a0<\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\"><span lang=\"DA\">Appendix 1 <\/span><\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\"><span lang=\"DA\">Appendix 2<\/span><\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\"><span lang=\"DA\">Appendix 3 <\/span><\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\"><span lang=\"DA\">Appendix 4<\/span><\/span><\/p>\n<p class=\"x_Pa11\"><span class=\"x_A4\"><span lang=\"DA\">Bibliography <\/span><\/span><\/p>\n<p class=\"x_MsoNormal\"><span class=\"x_A4\"><span lang=\"DA\">Index<\/span><\/span><span class=\"x_A4\"><span lang=\"DA\">\u00a0<\/span><\/span><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece729296\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">LVIII &nbsp;&nbsp;<em>Roman Carthage. A Reappraisal<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Ed. Jesper Carlsen &amp; John Lund<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p><span lang=\"EN-US\">JESPER CARLSEN &amp; <\/span><span lang=\"EN-US\">JOHN LUND, <\/span><span lang=\"EN-US\">Introduction: New Light on the Archaeology and History of <\/span><span lang=\"EN-US\">Roman Carthage<br \/>\nSAMIR AOUNALLAH, <\/span><span lang=\"IT\">Arnim <\/span><span lang=\"IT\">MASTINO &amp; PAOLA RUGGERI, <\/span><span lang=\"IT\">Nuove ricerche <\/span><em><span lang=\"IT\">sullapertica <\/span><\/em><span lang=\"IT\">dei Cartaginesi: Uchi Maius, Thignica, Thugga<br \/>\nHAMDEN BEN ROMDHANE, <span lang=\"IT\">GIOVANNI DI STEFANO, <\/span><span lang=\"IT\">MAURIZIO PAOLETTI, <\/span><span lang=\"IT\">INES <\/span><span lang=\"IT\">BELLOUCHI, SLIM BECHRIFIA, <\/span><span lang=\"IT\">DOMINIQUE <\/span><span lang=\"IT\">MARIA <\/span><span lang=\"IT\">DI <\/span><span lang=\"IT\">CARO, STEFANIA FORNARO &amp; LORENZO ZURLA, <\/span><span lang=\"IT\">Cartagine. L&#8217;anfiteatro e quartieri nord-occidentali. Risultati preliminari di un nuovo progetto di ricerca<br \/>\nANTONIO <\/span><\/span><span lang=\"IT\">M. <\/span><span lang=\"IT\">CORDA, <\/span><span lang=\"IT\">La gerarchia ecclesiastica della Cartagine cristiana. Autorappresentazione e status sociale degli appartenenti agli ordini minori<br \/>\nHATEM DRISSI, <span lang=\"IT\">Portraits imperiaux de Carthage<br \/>\nJOANN FREED, <\/span><span lang=\"EN-US\">Clues for Context in an Assembly of Roman Statues at Carthage<br \/>\nFABIOLA SALCEDO GARCES, RAQUEL <\/span><\/span><span lang=\"IT\">RUBIO <\/span><span lang=\"IT\">GONZALEZ &amp; ESTEFANfA <\/span><span lang=\"IT\">A. <\/span><span lang=\"IT\">BENITO LAZAR\u00b0, <\/span><span lang=\"IT\">Rome on Display. Images of Power and Conquest in Three Carthaginian Roman Monuments<br \/>\nJORGE <span lang=\"EN-US\">GARCIA SANCHEZ, <\/span><span lang=\"EN-US\">Carthage in the United States. The Divulgation of Carthaginian <\/span><span lang=\"EN-US\">Archaeology and Punic and Roman Materials in North American Collections<br \/>\nCARINA HASENZAGL, <\/span><\/span><span lang=\"EN-US\">Bir Massouda Site 2: A Case Study of Fifth &#8211; Seventh Century African Red Slip Ware<br \/>\nANTONIO IBBA, <em><span lang=\"IT\">Tribules a Karthago <\/span><\/em><span lang=\"IT\">e nella sua <\/span><em><span lang=\"IT\">pertica<\/span><\/em><br \/>\n<span lang=\"IT\">ANNAPAOLA MOSCA, <\/span><span lang=\"IT\">Cartagine La Malga ed altre aree urbane. Relazione fra impianto urbano e <\/span><span lang=\"IT\">paesaggio<br \/>\nVINNIE NORSICOV, <\/span><span lang=\"EN-US\">Ancient Carthage seen through the Eyes of a Danish Nurse: A Private <\/span><span lang=\"EN-US\">Collection in a Danish University Collection<br \/>\nJOHN LUND, <\/span><span lang=\"EN-US\">Seaside Cities on Roman Lamps from Africa Proconsularis and Italy<br \/>\nGIAMPIERO SCAFOGLIO, <\/span><span lang=\"IT\">L&#8217;immagine di Cartagine sotto la dominazione vandalica <\/span><em><span lang=\"IT\">nell&#8217;Anthologia <\/span><\/em><em><span lang=\"IT\">Latina <\/span><\/em><br \/>\n<span lang=\"EN-US\">CHARLOTTE SPENCE, <\/span><span lang=\"EN-US\">The Curse Tablets of Carthage<br \/>\nContributors<\/span><\/span><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><\/div><div class=\"supp-row-group\" style=\"margin-bottom:2em;\"><div class=\"supp-thumbs\" style=\"display:flex;flex-wrap:wrap;gap:1em;\"><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece729775&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/9788854915206_0_350_0_75.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">LVII<\/div><div class=\"supp-title\"><em>Water for Hadrian&#039;s Villa. A Survey for the Water Supply to the Imperial Villa<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece729bd7&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/dal-pollino.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">LVI<\/div><div class=\"supp-title\"><em>Dal Pollino all\u2019Orsomarso: Ricerche Archeologiche fra Ionio e Tirreno<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72a293&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/9788854911154_0_0_536_0_75.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">LV<\/div><div class=\"supp-title\"><em>The Latin Inscriptions of Medici Florence: Piety and Propaganda, Civic Pride and the Classical Past. Texts, Translations and Commentaries<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72a8da&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/cultural.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">LIV<\/div><div class=\"supp-title\"><em>Cultural Encounter and Identity in the Neo-Latin World<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72af27&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/reflections.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">LIII<\/div><div class=\"supp-title\"><em>Reflections: Harbour City Deathscapes in Roman Italy and beyond<\/em><\/div><\/div><\/div><div class=\"supp-details\" style=\"display:none;margin-top:1em;\"><\/div><div id=\"supp_6a91ece729775\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">LVII &nbsp;&nbsp;<em>Water for Hadrian&#039;s Villa. A Survey for the Water Supply to the Imperial Villa<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: J\u00f8rgen Martin Hansen<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p><span lang=\"IT\">Prefazione, <em>Zaccaria Mari <\/em><br \/>\nPART I<br \/>\nPreface<br \/>\nAcknowledgments<br \/>\nIntroduction<br \/>\nDocumentation<\/span><br \/>\n<span lang=\"IT\">THE SOUTHERN VILLA Casale la Ferrata<br \/>\n<span lang=\"IT\">AQVA FERRATA AND AQ1-AQ2<br \/>\n<span lang=\"EN-US\">THE SURVEY SURPRISE The valley nymphaeum<br \/>\n<span lang=\"EN-US\">AQ2 THE MILL-AQUEDUCT The watermill supplied from Aqua Ferrata<br \/>\n<span lang=\"EN-US\">AQ3 THE PENNA AQUEDUCT<br \/>\n<span lang=\"EN-US\">AQ4 THE SANZOGNI AQUEDUCT<br \/>\n<span lang=\"EN-US\">AQ5 THE PIRANESI AQUEDUCT The enigmatic arches<br \/>\n<span lang=\"IT\">AZIENDA AGRICOLA ROSATI Crossroad for pozzolana exposing aqueduct AQ5?<br \/>\n<span lang=\"EN-US\">AZIENDA AGRICOLA ROSATI Possible introduction of a channel from Anio Novus (AN) <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>to AQ5<br \/>\nConclusion<\/span><\/p>\n<p><span lang=\"EN-US\">Appendix Al ASPECTS OF ROMAN WATER SUPPLY Mixing waters in Roman aqueducts<br \/>\nAppendix A2 <em>Sextus Julius Frontinus: De aquae ductu urbis Romae<\/em><br \/>\nAppendix A3 WATER STATISTICS<br \/>\nAppendix A4 PRESSURE PIPELINES (SIPHONS)<br \/>\nAppendix A5 GRADIENTS IN AQUEDUCT CHANNELS<br \/>\nAppendix B NICODEMUS AND THE CIRCITORES The Tivoli-supervisors of the Roman <\/span><span lang=\"EN-US\">aqueducts<\/span><br \/>\n<span lang=\"EN-US\">Maps <\/span><\/p>\n<p><span lang=\"EN-US\">PART II<br \/>\nANNE SOFIE HALSE, Ambulatio in Villa Adriana<br \/>\nAppendix: Characteristic examples of oblong, villa porticoes, presumed to be dedicated to the ambulatio<br \/>\nNIELS LYNNERUP, Lo scheletro nel pozzo The Skeleton in the well<br \/>\nMIKKEL WENDELBOE TOFT, Survey of water supply to Villa Adriana \u2014 GIS and GPS<\/span><\/p>\n<p><span lang=\"EN-US\">Reports<br \/>\nREPORT 1 SURVEY OF THE WATER SUPPLY TO VILLA ADRIANA: FIXPOINTS INSIDE <span lang=\"EN-US\">PUBLIC AREA OF VILLA ADRIANA<br \/>\nREPORT 2 SURVEY OF THE WATER SUPPLY TO VILLA ADRIANA: FIXPOINTS OUT-SIDE PUBLIC AREA OF VILLA ADRIANA<br \/>\nReferences &amp; Bibliography<br \/>\nANNE SOFIE HALSEt, Plates<br \/>\nTable of Figures<\/span><\/span><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece729bd7\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">LVI &nbsp;&nbsp;<em>Dal Pollino all\u2019Orsomarso: Ricerche Archeologiche fra Ionio e Tirreno<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Ed. Gloria Mittica, Carmelo Colelli, Antonio Larocca, Felice Larocca<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><p style=\"margin:0 0 .5em;\">Hjemmeside: <a href=\"https:\/\/edizioniquasar.it\/products\/dal-pollino-allorsomarso?_pos=1&#038;_sid=6098d274a&#038;_ss=r\" target=\"_blank\" rel=\"noopener nofollow\">https:\/\/edizioniquasar.it\/products\/dal-pollino-allorsomarso?_pos=1&amp;_sid=6098d274a&amp;_ss=r<\/a><\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>INDICE:<\/p>\n<p>&nbsp;<\/p>\n<p>Antonio Cersosimo, <em>Saluti istituzionali<\/em><\/p>\n<p>Charlotte Bundgaard,<em> Preface<\/em><\/p>\n<p>Elena Calandra, <em>Introduzione. La ricerca per la tutela<\/em><\/p>\n<p>Gloria Mittica, Carmelo Colelli, Antonio Larocca &amp; Felice Larocca, <em>Premessa\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sezione 1 \u2013 Preistoria<\/strong><\/p>\n<p>Fabio Martini &amp; Domenico Lo Vetro, <em>Grotta del Romito: evidenze archeologiche, ricostruzioni e ipotesi sulle orme del sacro\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/p>\n<p>Elena Natali, Marisa Agrostelli, Flavio Feriozzi, Vincenza Forgia &amp; Roberto Micheli, <em>I livelli neolitici della Grotta San Michele di Saracena (CS)<\/em><\/p>\n<p>Antonella Minelli, Alessandra Cinti &amp; Felice Larocca, <em>Una sepoltura preistorica nella Grotta di Pietra Sant\u2019Angelo (San Lorenzo Bellizzi). Aspetti archeologici e antropologici<\/em><\/p>\n<p>Delia Carloni &amp; Marco Pacciarelli, <em>Grotta del Tesauro (Sant\u2019Agata di Esaro, Cosenza): un contesto archeologico con evidenze di attivit\u00e0 minerarie preistoriche e storiche. Scavi 2011-2013<\/em><\/p>\n<p><a>Davide Servidio, <em>Passo del Monaco (Papasidero, Cosenza). Manifestazioni di arte rupestre nella Valle del Fiume Lao<\/em><\/a><\/p>\n<p><a>Francesco Breglia &amp; Maria Veneziano, <em>Grotta del Caprio (Francavilla Marittima, CS): un contesto sotterraneo di et\u00e0 eneolitica alle pendici del Monte Sellaro<\/em><\/a><\/p>\n<p><a>Felice Larocca, <em>Le pietre che raccontano. Manifestazioni di arte rupestre e sotterranea dal Massiccio del Pollino ai Monti dell\u2019Orsomarso<\/em><\/a><\/p>\n<p>Rossella Schiavonea Scavello, <em>Le grotte dal Pollino all\u2019Orsomarso: una lettura dei dati di archivio<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sezione 2 \u2013 Protostoria<\/strong><\/p>\n<p>Salvatore Bianco, Antonio Affuso &amp; Addolorata Preite, <em>Gli Enotri della Basilicata sud-occidentale. L\u2019evoluzione comparata del diadema copricapo di bronzo<\/em><\/p>\n<p>Francesca Ippolito &amp; Martin van Leusen, \u00a0<em>Il passaggio tra et\u00e0 del Bronzo e del Ferro nella Sibaritide interna: dati primari da Monte San Nicola (Civita, CS)<\/em><\/p>\n<p><a>Jan Kindberg Jacobsen, Carmelo Colelli &amp; Francesca Ippolito, <em>Timpa del Castello, Francavilla Marittima (CS). Uno sperone roccioso intensamente antropizzato<\/em><\/a><\/p>\n<p><a><span lang=\"DE\">Claudia Gerling, C\u00e8line Zaugg, Marta Imbach &amp;Martin A. Guggisberg,<\/span><\/a> <em>Between \u201cLocal\u201d and \u201cNon-Local\u201d. <\/em><em><span lang=\"EN-US\">Basic Considerations and First Results of an Isotopic Mapping of the Sibaritide<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sezione 3 &#8211; Et\u00e0 greca e italica<\/strong><\/p>\n<p><a><em>Domenico A. M. Marino &amp; Carmelo Colelli, San Sosti. Materiali e contesti fra la protostoria e l\u2019et\u00e0 greca<\/em><\/a><\/p>\n<p><a>Maria Cristina Capanna &amp; Paolo Carafa <\/a><em>Ai margini di Sibari. Paesaggi rurali dall\u2019et\u00e0 della colonizzazione alla fine del mondo antico<\/em><\/p>\n<p><span lang=\"EN-US\">Sine Grove Saxkj\u00e6r,<em>Considerations of the narrow-necked jugs from Amendolara and their cultural significance<\/em><\/span><\/p>\n<p><a>Gloria Mittica, <\/a>Rikke Christiansen, Jan Kindberg Jacobsen, Mikkel Westergaard J\u00f8rgensen, Giovanni Murro &amp; Nicoletta Perrone, <em>Area Aita di Timpone della Motta tra l\u2019et\u00e0 del Ferro ed il periodo arcaico<\/em><\/p>\n<p>Andrea Smeriglio, Gloria Mittica, Riccardo Barberi, Vincenzo Formoso, Raffaele Filosa, Giancarlo Niceforo, Simone Caputo &amp; Raffaele Giuseppe Agostino, <em>Indagini archeometriche per lo studio di reperti dal santuario arcaico di Francavilla Marittima (CS)<\/em><\/p>\n<p><a><span lang=\"EN-US\">Joos Melander &amp; Gloria Mittica, <\/span><\/a><em><span lang=\"EN-GB\">The import of Attic figure pottery to the chora of Sybaris. Preliminary results from the study of Attic black figure pottery from the Timpone della Motta, Francavilla Marittima<\/span><\/em><\/p>\n<p><span lang=\"EN-US\">Neeltje Oome, <\/span><span lang=\"EN-GB\">T<em>he Hellenistic rural settlement system and its infrastructure in the Sibaritide<\/em><\/span><\/p>\n<p><a>Fabrizio Mollo, <em>La valle del Lao-Mercure: un quadro archeologico alla luce delle nuove ricerche a S. Gada di Laino Borgo (CS)<\/em><\/a><\/p>\n<p><a>Elettra Civale, <\/a><em>Le indagini in Valsinni, il sito fortificato lucano di Monte Coppolo (MT)<\/em><\/p>\n<p><a>Marco Di Lieto, Raffaele Laino &amp; Simone Marino, <em>La fattoria ellenistica di Localit\u00e0 Molinaro (Laino Castello, CS)<\/em><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sezione 4 &#8211; Et\u00e0 romana<\/strong><\/p>\n<p><a>Alfredo Sansone &amp; Antonio Zumbo, <em>Blanda Iulia: dinamiche istituzionali dalla guerra annibalica all\u2019et\u00e0 augustea<\/em><\/a><\/p>\n<p><a>Valentina Casella &amp; Antonella Laino, <em>La ricognizione nel territorio di Laino Borgo (CS): i materiali dalle aree di Santa Gada e San Primo<\/em><\/a><\/p>\n<p>Marco Sfacteria, <em>Archeologia nella Valle del Mercure: nuovi dati sulla viabilit\u00e0 romana tra Basilicata meridionale e Calabria settentrionale<\/em><\/p>\n<p><a>Carmelo Colelli &amp; Maria Veneziano, <em>Alessandria del Carretto. Testimonianze di et\u00e0 romana da un territorio di confine nel Pollino orientale<\/em><\/a><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n<p><strong>Sezione 5 &#8211; medioevo e post medioevo<\/strong><\/p>\n<p>Valentino Vitale, <em>The cistercian Ventrile grange (Chiaromonte, PZ). <\/em><em><span lang=\"EN-GB\">Archaeological investigation and phases of life between the 4th century BC and the 16th century AD<\/span><\/em><\/p>\n<p>Domenico De Presbiteris, <em>Siti fortificati dell\u2019Alto Tirreno Cosentino: il caso di Sasso dei Greci a Buonvicino (CS)<\/em><\/p>\n<p><a>Sara Gigliotti, Andrea Smeriglio &amp; Felice Larocca, <em>La Grotta di Sant\u2019Angelo a San Donato di Ninea e il restauro dell\u2019affresco raffigurante una Madonna in trono con il Bambino<\/em><\/a><\/p>\n<p>Felice Larocca, <em>La \u201cCondotta Gallo\u201d. Una nuova miniera di mineralizzazioni di ferro nel sito di Grotta della Monaca (Sant\u2019Agata di Esaro, Cosenza)<\/em><\/p>\n<p>Antonio Affuso &amp; Addolorata Preite, <em>Il sistema rupestre delle cantine-grotta nell\u2019areale lucano del Pollino. <\/em><em><span lang=\"EN-US\">Nota preliminare<\/span><\/em><\/p>\n<p><a><span lang=\"EN-US\">Wieke de Neef, Antonio Larocca &amp; Peter Attema<\/span><\/a><span lang=\"EN-US\">, <\/span><em><span lang=\"EN-US\">Archaeology meets ethnography: mobility in the foothills and uplands of the<\/span><\/em><em><span lang=\"EN-GB\"> Pollino<\/span><\/em><em><span lang=\"EN-US\"> range (Calabria) during the Bronze Age and Late Modern period<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Biografie dei curatori<\/p>\n<p>Elenco autori<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72a293\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">LV &nbsp;&nbsp;<em>The Latin Inscriptions of Medici Florence: Piety and Propaganda, Civic Pride and the Classical Past. Texts, Translations and Commentaries<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Patrick Kragelund<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p><span><span><span>Contents<\/span><\/span><\/span><\/p>\n<p><span><span><span>Preface<\/span><\/span><\/span><\/p>\n<p><span><span><span>A Note on Transcriptions and Abbreviations<\/span><\/span><\/span><\/p>\n<ol>\n<li><span>The Bridge, the River, the Mountains, and the Builders<\/span><\/li>\n<li><span>The Church, its Founders, and its Saints<\/span><\/li>\n<li><span>Chapels, Hospitals and Pious Donors<\/span><\/li>\n<li><span>The \u201cComune\u201d and Republic<\/span><\/li>\n<li><span>\u201cIllustrious Heroes\u201d, from Scripture and from Ancient Rome<\/span><\/li>\n<li><span>Civic Humanism in Public and Private Memorials<\/span><\/li>\n<li><span>The Advent of Medici Monarchy<\/span><\/li>\n<li><span>The Medici Comeback<\/span><\/li>\n<\/ol>\n<ol start=\"9\">\n<li><span>Cosimo de\u2019 Medici, the Second Duke and first Grand Duke<\/span><\/li>\n<li><span>Cosimo\u2019s Successors<\/span><\/li>\n<li><span>The Cult of Art and Learning<\/span><\/li>\n<li><span>The Cult of Michelangelo<\/span><\/li>\n<li><span>Belated Honours for Galileo<\/span><\/li>\n<\/ol>\n<p><span>Notes<\/span><\/p>\n<p><span><span><span>Bibliography<\/span><\/span><\/span><\/p>\n<p><span><span><span>Index of Places &amp; People<\/span><\/span><\/span><\/p>\n<p><span><span><span>Index of Ancient Authors <\/span><\/span><\/span><\/p>\n<p><span><span><span>Indices of Inscriptions:<\/span><\/span><\/span><\/p>\n<ol>\n<li><span>Formal Aspects of Florentine Epigraphy<\/span><\/li>\n<li>Roman Inscriptions featuring in Early <em>Syllogae,<\/em> which influenced Florentine Epigraphy of the Fifteenth and Sixteenth Centuries<\/li>\n<li><span>Index of Roman Inscriptions quoted in this Book<\/span><\/li>\n<\/ol>\n<p><span><span><span>Image Credits<\/span><\/span><\/span><\/p>\n<p><span><span><span>Postscript<\/span><\/span><\/span><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p><span><span><span><span><span><span>G. Henning: \u201cFilologen Patrick Kragelund har f\u00e5et den indlysende gode id\u00e9 at samle, nyovers\u00e6tte og nyudgive latinske indskrifter fra Firenze. Det er der kommet en meget smuk og vellykket bog ud af.\u201d <\/span><\/span><\/span><\/span><\/span><\/span><span><span><span><span><em><span>Logos<\/span><\/em><\/span><\/span><\/span><\/span><span><span><span><span><span><span> 2022\/2, 75-76.&nbsp;<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<p><span><span><span><span><span><span>O. Merisalo: \u201cThe volume incontestably fills in a significant gap in the documentation available in English on late medieval and early modern Florentine epigraphy.\u201d <\/span><\/span><\/span><\/span><\/span><\/span><span><span><span><span><em><span>Bryn Mawr Classical Review <\/span><\/em><\/span><\/span><\/span><\/span><span><span><span><span><span><span>2022\/9\/1.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72a8da\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">LIV &nbsp;&nbsp;<em>Cultural Encounter and Identity in the Neo-Latin World<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Camilla Horster &amp; Marianne Pade<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>Preface<\/p>\n<p>Translatio studii: imitation and transformations of Italian humanist culture<\/p>\n<p>S. De Beer: Conrad Celtis&#8217;s Visions of Rome Relocation, Contestation and Imitation of the Italian Renaissance in German HUmanism<\/p>\n<p>A. den Haan: Sources, pools and runnels: The humanist reception of the Ordinary Gloss and Lyra&#8217;s Postils<\/p>\n<p>M. Pade: Melanchthon and Tucydides: The reception of the <em>Peloponnesian Wa<\/em>r in a Reformation contesxt<\/p>\n<p>T. Arlund Hass: Paying your Part: Bucolic Traditions and Positions in Hans Lauridsen Amerinus&#8217;s <em>Ecloga de pacis foeder<\/em>e (1573)<\/p>\n<p>P. S. T. Styve: Renaissance Images of Multiple Temporalities<\/p>\n<p>L. M. Andersen Funder: Meeting expectations and revealing aspirations: Ole Worm and the emergent genre of museums catalogues<\/p>\n<p>&nbsp;<\/p>\n<p><em>Teaching and development of Humanist latin<\/em><\/p>\n<p>C. Marsico: Continuity and change in the Neo-Latin grammars of the European vernaculars (French, Castilian, German, and English)<\/p>\n<p>M. Fink-Jensen: Education, Humanism, and the Reformation in Denmark<\/p>\n<p>J. Ramminger: The Latin of the German Reformation and the Heritage of Quattrocento Humanism<\/p>\n<p>C. Plesner Horster: Humanist Latin for a new purpose: The indication of indirect discourse from Italy to Denmark<\/p>\n<p>&nbsp;<\/p>\n<p><em>Competing Nations<\/em><\/p>\n<p>M. Laureys: Assessing the influence of Biondo Flavio&#8217;s historical geography: the case of the Low Countries<\/p>\n<p>K. Skovgaard-Petersen: Stephanius&#8217;s <em>Not\u00e6 uberiores in Historiam Danicam Saxonis Grammatici<\/em><em> <\/em>(1645):<em> <\/em>a humanist commentary on a medieval history of Denmark<\/p>\n<p>P. Zeeberg: Collections of Latin inscriptions from the milieu around Henrich Rantzau<\/p>\n<p>O. Merisalo: <em>Urbes antiquissimae<\/em>: Renaissance influences in descriptions of towns and cities of seventeeth-eighteenth-century <em>Magnus Ducatus Finlandiee<\/em><\/p>\n<p>Index<\/p>\n<p>Contributors<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p><span><span><span><span><span><span>A. Grillone: \u201cLa miscellanea riesce attraverso i diversi contributi a raggiungere gli scopi che si proponeva: i saggi mostrano l\u2019importanza (&#8230;) del \u201cmetadiscourse of Renaissance humanism\u201d per la diffusione dell\u2019Umanesimo stesso.\u201d <\/span><\/span><\/span><\/span><\/span><\/span><span><span><span><span><em><span>Bollettino di Studi Latini<\/span><\/em><\/span><\/span><\/span><\/span><span><span><span><span><span><span> 2022\/52\/2, 848-853.&nbsp;<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<p><span><span><span><span><span><span>I. Walser-B\u00fcrgler: \u201cBei dem vorliegenden Sammelband handelt es sich um eine \u00e4sthetische als auch inhaltlich ansprechende Publikation, die die Kontinuit\u00e4t der lateinischen Litteratur von der Antike bis in die fr\u00fche Neuzeit in den Blick nimmt.\u201d <\/span><\/span><\/span><\/span><\/span><\/span><span><span><span><span><em><span>Gnomon <\/span><\/em><\/span><\/span><\/span><\/span><span><span><span><span><span><span>2022\/94\/2, 122-126.&nbsp;<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<p><span><span><span><span><span><span>L. Claire: \u201cL\u2019ouvrage met \u00e0 la disposition des lecteurs des contributions d\u2019excellente&nbsp;<\/span><\/span><\/span><\/span><\/span><\/span><span><span><span><span><span><span>tenue, accompagn\u00e9e chacune d\u2019une bibliographie d\u00e9di\u00e9e<\/span><\/span><\/span><\/span><\/span><\/span><span><span><span><span><em><span>.<\/span><\/em><\/span><\/span><\/span><\/span><span><span><span><span><span><span>\u201d <\/span><\/span><\/span><\/span><\/span><\/span><span><span><span><span><em><span>Biblioth\u00e8que d&#8217;Humanisme et Renaissance<\/span><\/em><\/span><\/span><\/span><\/span><span><span><span><span><span><span> 81\/1, 173-175.&nbsp;<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72af27\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">LIII &nbsp;&nbsp;<em>Reflections: Harbour City Deathscapes in Roman Italy and beyond<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Niels Bargfeldt &amp; Jane Hjarl Petersen<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>Preface<\/p>\n<p>Introduction<\/p>\n<p>Contributors<\/p>\n<p>D. Borbonus:Organized Collective Burial in the Port Cities of Roman Italy<\/p>\n<p>E. Borgia: Foreigners from the Eastern Mediterranean at Ostia, Portus, and Puteoli in the Imperial Period. A reconsideration of the Matter through an Analysis of Funerary Inscriptions<\/p>\n<p>D. Noy: <em>Electa mihi domus est Ostia felix<\/em>. The Burial and Commemoration of MIgrants at Ostia and Portus<\/p>\n<p>S.L. Tuck: Harbors of Refuge. Post-Vesuvian Population Shifts in Italian Harbor Communities<\/p>\n<p>V.M. Hope: Life at Sea, Death on Land. The Funerary Commemoration of the Sailors of Roman Misenum<\/p>\n<p>N. Bargfeldt: Unnoticed Diversity in MIsenum: Revealing a Multifaceted Society in a Roman Harbour City<\/p>\n<p>L. Hackworth Petersen: People and Gods in the Necropoleis of Pompeii. Isis in the Last Decade<\/p>\n<p>J. Hjarl Petersen: Protecting Me Every Step of the Way. Dionysian Symbolism in the Burial Culture of Roman Ostia<\/p>\n<p>M. Spanu: Working and Dying in the Harbour Cities of Roman Asia Minor. An Appraisal of the Funerary Inscriptions<\/p>\n<p>J. Carlsen: Epitaphs and the Demography of the Imperial Slaves and Freedmen in Roman Carthage<\/p>\n<p>J. Pearce &amp; R. Redfern: Port Societies on Rome&#8217;s Atlantic Facade. A Funerary Perspective<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><\/div><div class=\"supp-row-group\" style=\"margin-bottom:2em;\"><div class=\"supp-thumbs\" style=\"display:flex;flex-wrap:wrap;gap:1em;\"><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72b304&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/orientalizing.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">LII<\/div><div class=\"supp-title\"><em>The Orientalizing and Lucanian Tombs from Loc. De Sanctis I at Pontecagnano<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72b664&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/ARIDS-51-Decorating-Floors-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">LI<\/div><div class=\"supp-title\"><em>Decorating Floors. The Tesserae-in-Mortar Technique in the Ancient World<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72ba5f&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/ARIDS-50-Translating-Scandinavia-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">L<\/div><div class=\"supp-title\"><em>Translating Scandinavia. Scandinavian Literature in Italian and German Translation, 1918-1945<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72bcd3&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/ARIDS-49-The-Art-of-Transformation-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XLIX<\/div><div class=\"supp-title\"><em>The Art of Transformation. Grotesques in Sixteenth-Century Italy<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72c080&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/ARIDS-48-Scandinavian-Modernism-in-Rome-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XLVIII<\/div><div class=\"supp-title\"><em>Scandinavian Modernism in Rome. Kay Fisker and the Danish Academy<\/em><\/div><\/div><\/div><div class=\"supp-details\" style=\"display:none;margin-top:1em;\"><\/div><div id=\"supp_6a91ece72b304\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">LII &nbsp;&nbsp;<em>The Orientalizing and Lucanian Tombs from Loc. De Sanctis I at Pontecagnano<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Margit von Mehren<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>Foreword and Acknowwledgements<\/p>\n<p>Introdution<\/p>\n<p>Part I: The Orientalizing material<\/p>\n<p>1. Funerary ritual<\/p>\n<p>2. Chronology<\/p>\n<p>3. Catalogue of the Orientalizing material<\/p>\n<p>Part II:The Lucanian material (4th to 3rd centuries BC)<\/p>\n<p>4. Tombs and grave goods<\/p>\n<p>5. Catalogue of the Lucanian material<\/p>\n<p>Part III: Illustration<\/p>\n<p>Bibliography<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72b664\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">LI &nbsp;&nbsp;<em>Decorating Floors. The Tesserae-in-Mortar Technique in the Ancient World<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: <\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>Acknowwledgements<\/p>\n<p>Ch.1. Introduction<\/p>\n<p>Ch.2. Repertoire<\/p>\n<p>Ch.3. Geographical Distribution<\/p>\n<p>Ch.4. Patterns of Patterns<\/p>\n<p>Ch.5. Origins and Early Development of the Tesserae-in-Mortar Technique (late 4th and 3rd century BC)<\/p>\n<p>Conclusion<\/p>\n<p>Abbreviations and Bibliography<\/p>\n<p>Glossary of Floor Types and Elements<\/p>\n<p>Key to Tables<\/p>\n<p>Tables<\/p>\n<p>Figures<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>P. Liverani: \u201cL\u2019opera figurer\u00e0 in bella evidenza nello scaffale di riferimento di chiunque affronti studi di architettura o topografia in area mediterranea.\u201d <em>Histara les comptes rendus, <\/em><a href=\"http:\/\/histara.sorbonne.fr\/cr.php?cr=3706&amp;lang=it&amp;quest=quasar\">Published online on 2020-10-19.<\/a><\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72ba5f\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">L &nbsp;&nbsp;<em>Translating Scandinavia. Scandinavian Literature in Italian and German Translation, 1918-1945<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Bruno Berni &amp; Anna Wegener<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72bcd3\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XLIX &nbsp;&nbsp;<em>The Art of Transformation. Grotesques in Sixteenth-Century Italy<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Maria Fabricius Hansen<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>Preface<br \/>\nIntroduction<br \/>\nBrief Surveys<br \/>\nIn the Grottoes<br \/>\nTraditions and Transformations<br \/>\nNature and Art<br \/>\nDefining Art<br \/>\nMoving Images<br \/>\nConclusions<br \/>\nNotes<br \/>\nBibliography<br \/>\nPhoto Credits<br \/>\nIndex<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>L. Morgan: \u201cThis extensively illustrated book analyzes grotesques thematically, focusing on the concept of the artist and notions of artistic creation as well as relationships to traditions of Antiquity and the medieval period, art and nature, and movement and space.\u201d <em>Kunstchronik<\/em>, July 2019\/7, 361-368.<\/p>\n<p>Y. Perrin: \u201cLes non sp\u00e9cialistes appr\u00e9cieront d\u2019\u00eatre ainsi guid\u00e9s dans la d\u00e9couverte d\u2019un monde assez exceptionnel, les sp\u00e9cialistes y trouveront une abondante information et mati\u00e8re \u00e0 enrichir le d\u00e9bat scientifique.\u201d <em>Histara &#8211; Les comptes rendus. <\/em><a href=\"http:\/\/histara.sorbonne.fr\/cr.php?cr=3474&amp;lang=it&amp;quest=quasar\">Published online 2019-03-19. <\/a><\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72c080\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XLVIII &nbsp;&nbsp;<em>Scandinavian Modernism in Rome. Kay Fisker and the Danish Academy<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Bente Lange &amp; Marianne Pade. Photographs by Jens Markus Lindhe<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>Prologue<br \/>\nForeword<br \/>\nWhy should Denmark have an Academy in Rome?<br \/>\nWhy Fisker?<br \/>\nWho was Fsker?<br \/>\nHow did Fisker build in Via Omero?<br \/>\nHow do you restore an unfinished masterpiece?<br \/>\nEpilogue<br \/>\nNotes<br \/>\nList of Illustrations<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><\/div><div class=\"supp-row-group\" style=\"margin-bottom:2em;\"><div class=\"supp-thumbs\" style=\"display:flex;flex-wrap:wrap;gap:1em;\"><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72c3af&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/ARIDS-47-Fiction-and-Figurations-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XLVII<\/div><div class=\"supp-title\"><em>FICTION AND FIGURATION IN HIGH AND LATE MEDIEVAL LITERATURE<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72c7b5&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/ARIDS-46-Medieval-Horace-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XLVI<\/div><div class=\"supp-title\"><em>THE MEDIEVAL HORACE - Karsten Friis-Jensen<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72cc07&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/Skaermbillede-2026-01-07-kl.-10.40.32.png\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XLV<\/div><div class=\"supp-title\"><em>THE ROMAN REPUBLICAN TRIUMPH - Beyond the Spectacle<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72d12d&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/ARIDS-44-Italia-in-Danimarca-Napolitano-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XLIV<\/div><div class=\"supp-title\"><em>L&#039;ITALIA IN EUROPA. ITALIA E DANIMARCA - Atti del Convegno in occasione del 150\u00b0 anniversario dell&#039;Unit\u00e0 d&#039;Italia. Accademia di Danimarca, Roma 7-8 aprile 2011<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72d629&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/ARIDS-43-Il-Valdemaro-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XLIII<\/div><div class=\"supp-title\"><em>IL VALDEMARO. DRAMMA PER MUSICA (1726) - Domenico Sarro (1679-1744)<\/em><\/div><\/div><\/div><div class=\"supp-details\" style=\"display:none;margin-top:1em;\"><\/div><div id=\"supp_6a91ece72c3af\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XLVII &nbsp;&nbsp;<em>FICTION AND FIGURATION IN HIGH AND LATE MEDIEVAL LITERATURE<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Marianne Pade, Anders Cullhed, Anders Hallengren &amp; Brian M\u00f8ller Jensen<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>Anders Cullhed, Editorial Note<br \/>\n<em>Fiction from the High Middle Ages to the Renaissance<\/em><br \/>\nJan Ziolkowski, Fiction in the Long Twelfht Century and Beyond: Naissance, Renaissance, Both, or Neither<br \/>\nRaffaele Morabito, Boccaccio e l&#8217;<em>abundantia cordis<\/em><br \/>\nMarianne Pade, Intertextuality as a Narrative Device. The Epistolographic Genre in the Renaissance<br \/>\n<em>Theory of Fiction<\/em><br \/>\nFritz Peter Knapp, Mimesis in der mittelalterlichen Poetik<br \/>\nWin Veerbal, Getting Lost in Worlds: The Fiction of Literature (eleventh and twelfth century)<br \/>\nPaivi M. Mehtonen, Fiction Theory, Nominalist Mysticism and Medievalism<br \/>\n<em>Texts<\/em><br \/>\nGiovanni Paolo Maggioni, Texts between History and Fiction in Medieval Hagiography<br \/>\nBrian M\u00f8ller Jensen, Fables of Phaedrus Recycled in Medieval Latine Literature<br \/>\nAnders Cullhed, Imagination, Shadows, Dante<br \/>\nAnders Hallengren, Petrarch&#8217;s Vindication of Poetic Imagination<br \/>\nContributors<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>M. B. Long: \u201cA slim proceedings volume that retains the energy and intimacy of a small conference, this collection is lightly edited, retaining both spontaneity and some unevenness.\u201d <em>Renaissance Quarterly<\/em> 2018\/71\/3, 1184\u20131185.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72c7b5\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XLVI &nbsp;&nbsp;<em>THE MEDIEVAL HORACE - Karsten Friis-Jensen<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Karin Margareta Fredborg, Minna Skafte Jensen, Marianne Pade, and Johan Ramminger<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>Foreword<br \/>\nPreface<br \/>\n1. Horatius Liricus et Ethicus<br \/>\n2. The <em>Ars Poetica<\/em> in Twelfth-Century France<br \/>\n3. Addenda et Corrigenda to CIMAGL 60 1990 319-88<br \/>\n4. The Medieval Horace and his Lyrics<br \/>\n5. Horace and the Early Writers of Art of Poetry<br \/>\n6. Commentaries on Horace&#8217;s <em>Art of Poetry<\/em> in the Incunable Period<br \/>\n7. Medieval Commentaries on Horace<br \/>\n8. Petrarch and the Medieval Horace<br \/>\n9. The Reception of Horace in the Middle Ages<br \/>\n10. Humanist Use of Medieval Commentaries on Horace&#8217;s <em>Art of Poetry<\/em><br \/>\n11. The St Gall <em>accessus <\/em>to the <em>Odes<\/em> of Horace<br \/>\nBibliography<br \/>\nIndex of manuscripts and incunables<br \/>\nIndex of names<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>J. G. Clark: \u201cThere is much of value here for medievalists and classicists and perhaps especially for those whose studies in medieval reception have, at least implicitly, tended towards claiming an Ovidian exceptionalism in the status and sustained influence of the Augustan auctor.\u201d <em>ExClass<\/em> 2017\/21, 329-330.<\/p>\n<p>O. Th\u00e9venaz: \u201cR\u00e9unis de fa\u00e7on tr\u00e8s commode en un seul volume consacr\u00e9 \u00e0 la r\u00e9ception d&#8217;Horace\u201d <em>Museum Helveticum<\/em> 2016\/73\/2 254\u2013254.<\/p>\n<p>R. Jakobi: &#8220;Dieser Band vereint elf Aufs\u00e4tze, in denen der im Jahr 2012 unerwartet verstorbene Kopenhagener Gelehrte sich und k\u00fcnftigen Generationen eine rezeptionsgeschichtliche terra incognita erschlossen hat.&#8221; <em>Mittellateinisches Jahrbuch<\/em> 2016\/51\/1, 167.<\/p>\n<p>F. Stella: \u201c&#8230; l\u2019apporto metodologico pi\u00f9 rilevante \u00e8 la dimostrazione della necessit\u00e0 di rintracciare ovunque possibile il manoscritto preciso che documenti la lettura e il reimpiego di Orazio in un autore medievale, come emerge in particolare per Petrarca.\u201d <em>Athenaeum<\/em> 2021\/109\/1, 338-340.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72cc07\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XLV &nbsp;&nbsp;<em>THE ROMAN REPUBLICAN TRIUMPH - Beyond the Spectacle<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Carsten Hjort Lange &amp; Frederik Juliaan Vervaet<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>C. H. Lange &amp; F. J. Vervaet:\u00a0<em>Introduction<\/em><\/p>\n<p><em>Triumphal Conventions<\/em><\/p>\n<p>C. Lundgreen: <em>Rules for Obtaining a Triumph<\/em> <em>&#8211; the<\/em> jus triumphandi <em>once more<\/em><br \/>\nR. Westall:<em> Triumph and Closure. Between History and Literature<\/em><br \/>\nC. J. Dart &amp; F. J. Vervaet:<em> Claiming Triumphs for Recovered Territories. Reflections on Valerius Maximus 2.8.4\u00a0<\/em><\/p>\n<p><em>The Middle Republic<\/em><\/p>\n<p>C. H. Lange<em>: The Triumph outside the City. Voices of Protest in teh Middle Republic\u00a0<\/em><br \/>\nM. Cadario:<em> Preparing for Triumph. Graecae Artes as Roman Booty in L. Mummius&#8217; Campaign (146 BC)\u00a0<\/em><\/p>\n<p><em>The Late Republic<\/em><\/p>\n<p>J. Carlsen:<em> Notes on Cn. Domitius Ahenobarbus&#8217; Victory and Triumph over the Arverni\u00a0<\/em><br \/>\nJ. M. Madsen:<em> The Loser&#8217;s Prize: Roman Triumphs and Political Strategies during the Mithridatic Wars\u00a0<\/em><br \/>\nF. J. Vervaet: &#8220;Si neque leges mores cogunt&#8221;<em>. Beyond the Spectacle of Pompeius Magnus&#8217; Public Triumphs<\/em><br \/>\nJ. Osgood:<em> Julius Caesar and Spanish Triumph-Hunting\u00a0<\/em><\/p>\n<p><em>Civil War and Triumph<\/em><\/p>\n<p>W. Havener: <em>A Ritual Against the Rule? The Representation of Civil War Victory in the Late Republican Triumph<\/em><br \/>\nI. \u00d6stenberg: <em>Triumph and Spectacle. Victory Celebrations in the Late Republican Civil Wars\u00a0<\/em><\/p>\n<p><em>The Roman Republican Triumph<\/em><\/p>\n<p>J. Rich:<em> The Triumph in the Roman Republic. Frequency, Fluctuaction and Policy\u00a0<\/em><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>P. Burton: \u201cAlthough I question the editors\u2019 premise that the uniquely Roman ritual of the triumph indicates that the Romans suffered from a \u2018victory disease\u2019 to an exceptional degree within the Mediterranean system they inhabited (&#8230;), they have compiled an interesting, thought-provoking suite of papers.\u201d <em>The Journal of Roman Studies<\/em> 2017\/107, 352\u2013354.<\/p>\n<p>J. H. Clark: \u201cAlthough each of the twelve chapters can stand alone, the introduction frames the whole as a series of interrelated case studies in response to recent approaches to the Roman triumph and ancient military history more broadly.\u201d <em>The Classical Review<\/em> 2017\/67\/1, 172\u2013174.<\/p>\n<p>F. K. Drogula: &#8220;The diversity of topics makes this book particularly interesting and engaging, and there is a great deal that will interest historians of all periods of Republican Rome.\u201d <em>Bryn Mawr Classical Review<\/em>, 2016\/03\/40.<\/p>\n<p>C. Reitzenstein-Ronning: \u201cInsgesamt bieten die Beitr\u00e4ge eine lohnende Lekt\u00fcre mit plausiblen Deutungen und auf durchweg hohem Niveau.\u201d <em>Historische Zeitschrift<\/em> 2017\/305, 498\u2013500.<\/p>\n<p>T. Shahin: \u201cAllein die Abmessungen des unhandlichen Buchformats (etwa DIN A4) k\u00f6nnten aus physischen Gr\u00fcnden die Aufnahme des Sammelbands in einige Regale mit Sammlungen zur r\u00f6mischen Republik erschweren: Sofern die M\u00f6glichkeit besteht, ist eine Erweiterung der Regalh\u00f6he allerdings lohnenswert.\u201d <em>Latomus<\/em> 2017\/76\/3, 861\u2013863.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72d12d\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XLIV &nbsp;&nbsp;<em>L&#039;ITALIA IN EUROPA. ITALIA E DANIMARCA - Atti del Convegno in occasione del 150\u00b0 anniversario dell&#039;Unit\u00e0 d&#039;Italia. Accademia di Danimarca, Roma 7-8 aprile 2011<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: A cura di Gert S\u00f8rensen e Maria Adelaide Zocchi<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>Saluto del Direttore dell&#8217;Accademia di Danimarca Erik Bach<br \/>\nIntervento del Presidente della Repubblica Giorgio Napolitano<br \/>\nPrefazione di Gert S\u00f8rensen<\/p>\n<p>&nbsp;<\/p>\n<p><em>L&#8217;Italia in Europa<\/em><\/p>\n<p>Francesco Barbagallo: <em>Nazione, Stato, Costituzione in Italia dall&#8217;Unit\u00e0 alla Repubblica<\/em><br \/>\nBiancamaria Bruno: <em>Comunicazione tra le lingue, comunicazioni tra le culture<\/em><br \/>\nFrancesco M. Biscione: <em>Lo storicismo moderno italiano tra cultura e politica<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em>Italia e Danimarca<\/em><\/p>\n<p>Gert S\u00f8rensen: Il Grand Tour. <em>L&#8217;Italia nella formazione culturale di un&#8217; \u00e9lite intellettuale danese dalla fine del Settecento alla met\u00e0 del Novecento<\/em><br \/>\nKristina Junge J\u00f8rgensen: <em>Federico IV &#8211; Viaggio in Italia<\/em><br \/>\nBent Holm: <em>L&#8217;identit\u00e0 comica. Il ruolo dell&#8217;italianit\u00e0 di Holberg e della danesizzazione di Goldoni nella formazione di un teatro nazionale danese<\/em><br \/>\nAnna Maria Segala:<em> L&#8217;<\/em>Odin Teatret<em> tra Italia e Danimarca<\/em><br \/>\nHanne Jansen:\u00a0<em>L&#8217;Italia in Danimarca vista dall&#8217;ottica delle traduzioni<\/em><br \/>\nAnna Wegener: <em>I bambini italiani lettori dei libri di <\/em>Bibi<em> di Karin Michaelis<\/em><br \/>\nBruno Berni: <em>Traduzioni italiane di letteratura danese. Un panorama<\/em><br \/>\nJ\u00f8rgen Stender Clausen: <em>Georg Brandes e Garibaldi<\/em><br \/>\nPaolo Borioni: <em>Moralismo elitista e distorsioni populiste. Per una era comparazione storico-scientifica<\/em><\/p>\n<p>Gli autori<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72d629\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XLIII &nbsp;&nbsp;<em>IL VALDEMARO. DRAMMA PER MUSICA (1726) - Domenico Sarro (1679-1744)<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Edizione critica a cura di Knud Arne J\u00fcrgensen.<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>SOMMARIO<br \/>\nIntroduzione<br \/>\nLe fonti<br \/>\nContenuto e comparazione tra le due partiture per <em>il Valdemaro\u00a0<\/em><br \/>\nCriteri editoriali<br \/>\nAbbreviazion<br \/>\nApparato critico<br \/>\nBibliografia<br \/>\nIllustrazioni<br \/>\nIl libretto (in facsimile)<br \/>\nPartitura<br \/>\nAtto I<br \/>\nAtto II<br \/>\nAtto III<br \/>\nAppendice I<br \/>\nAppendice II<br \/>\nAppendice III<br \/>\nAppendice IV<br \/>\nAppendice V<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><\/div><div class=\"supp-row-group\" style=\"margin-bottom:2em;\"><div class=\"supp-thumbs\" style=\"display:flex;flex-wrap:wrap;gap:1em;\"><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72d9ed&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/ARIDS-42-On-renaissance-academies.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XLII<\/div><div class=\"supp-title\"><em>ON RENAISSANCE ACADEMIES. Proceedings of the international conference &quot;From the Roman Academy to the Danish Academy in Rome - Dall&#039;Accademia Romana all&#039;Accademia di Danimarca a Roma&quot;. The Danish Academy in Rome, 11-13 October 2006.<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72deb8&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/ARIDS-41-The-world-of-greek-vases-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XLI<\/div><div class=\"supp-title\"><em>THE WORLD OF GREEK VASES<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72e32f&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/ARIDS-40-Religion-and-society-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XL<\/div><div class=\"supp-title\"><em>Religion and Society. Rituals, Resources and Identity in the Ancient Graeco-Roman World. The BOMOS-Conferences 2002-2005<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72e877&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/ARIDS-39-Beyond-the-Roman-Frontier-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXXIX<\/div><div class=\"supp-title\"><em>BEYOND THE ROMAN FRONTIER - Roman Influences on the Roman Barbaricum<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72ec99&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xxxviii.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXXVIII<\/div><div class=\"supp-title\"><em>FARNESE - Pomp, Power and Politics in Renaissance Italy<\/em><\/div><\/div><\/div><div class=\"supp-details\" style=\"display:none;margin-top:1em;\"><\/div><div id=\"supp_6a91ece72d9ed\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XLII &nbsp;&nbsp;<em>ON RENAISSANCE ACADEMIES. Proceedings of the international conference &quot;From the Roman Academy to the Danish Academy in Rome - Dall&#039;Accademia Romana all&#039;Accademia di Danimarca a Roma&quot;. The Danish Academy in Rome, 11-13 October 2006.<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Marianne Pade<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>Introduction<\/p>\n<p>I: Rome as Academy<\/p>\n<p>Karsten Friis-Jensen: <em>Petrarch, the city of Rome and the Capital<\/em><br \/>\nPer \u00d8hrgaard: <em>Goethe in Rome<\/em><\/p>\n<p>II: Italian Renaissance Academies<\/p>\n<p>James Hankins: <em>Humanist Academies and the &#8220;Platonic Academy of Florence&#8221;<\/em><br \/>\nConcetta Bianca: <em>Le accademie a Roma nel Quattrocento<\/em><br \/>\nJohn Monfasani: <em>Two Fifteenth-Century &#8220;Platonic Academies&#8221;: Bessarion&#8217;s and Ficino&#8217;s<\/em><br \/>\nFabio Stok: <em>Perotti e l&#8217;Accademia romana<\/em><\/p>\n<p>Patricia Osmond: Lectiones Sallustianae.<em> Pomponio Leto&#8217;s Annotations on Sallust: A Commentary for the Academy?<\/em><br \/>\nMarianne Pade: Lectiones Sallustianae. <em>The 1490 Sallust Annotations, the Presentation Copy<\/em><br \/>\nJulia Gaisser: <em>The Mirror of Humanism: Self Reflection in the Roman Academy<\/em><br \/>\nIngrid D. Rowland: <em>Raphael and the Roman Academy<\/em><\/p>\n<p>III: Danish Renaissance Academies<br \/>\nMarita Ackh\u00f8j Nielsen: Dign\u00e6 cert\u00e8 h\u00e6 nostr\u00e6 Rip\u00e6 in notitiam veniant externorum. <em>Renaissance culture in Ribe<\/em><\/p>\n<p>Peter Zeeberg: <em>Tycho Brahe&#8217;s Uraniborg. Research Centre and Aristocratic Residence<\/em><br \/>\nKaren Skovgaard-Petersen: <em>A Danish Equestrian Academy &#8211; the Academy of Sor\u00f8 1623-1665<\/em><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>E. Nuti: &#8220;L\u2019elegante volume, molto ben curato da M. P. raduna diversi pregevoli contributi raggruppati in tre macro-sezioni, rispettivamente dedicate al rapporto dell\u2019intellettuale con Roma, alle forme e funzioni dell\u2019Accademia Romana del pieno Rinascimento e a caratteristiche e significati delle esperienze delle varie accademie danesi di secondo Cinquecento e primo Seicento.&#8221; <em>MEG<\/em> 2013\/13, 279-281.<\/p>\n<p>D. Porreca: &#8220;In sum, at its best, this volume presents valuable reassessments of previous scholarship relating to Renaissance academies, as well as calling attention to some details of the philological analysis current in Pomponio Leto&#8217;s group in Rome. EIsewhere, however, this book offers a somewhat incohesive snapshot of materials only tangentially or analogously relating to the core of the volume\u201d. <em>Sixteenth Century Journal <\/em>2014\/45\/1, 247-248.<\/p>\n<p>B. Stenuit: \u201cLes cercles d&#8217;humanistes se r\u00e9pandent en Italie dans la seconde moiti\u00e9 du XVe s.; comme ils prennent l&#8217;Antiquit\u00e9 pour mod\u00e8le, academia les d\u00e9signe, en concurrence avec d&#8217;autres termes, comme sodalitas (litteratorum), mais academia peut viser un studium.\u201d <em>Latomus<\/em> 2014\/73\/3, 864\u2013864.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72deb8\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XLI &nbsp;&nbsp;<em>THE WORLD OF GREEK VASES<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Vinnie N\u00f8rskov, Lise Hannestad, Cornelia Isler-Ker\u00e9nyi &amp; Sian Lewis (Ed.)<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>Contents<br \/>\nCornelia Isler-Ker\u00e8nyi: <em>The Study of Figured Pottery Today<\/em><br \/>\nVladimir Stissi: <em>Does Function Follow Form? Archais Greek Pottery in its Find Contexts: Uses and Meanings<\/em><br \/>\nDimitri Paleothodoros: <em>Archaeological Context Iconographic Analysis: Case Studies from Greece and Etruria<\/em><br \/>\nVinnie N\u00f8rskov: <em>The Affairs of Lucien Bonaparte and the Impact on the Study of Greek Vases<\/em><br \/>\nVincenzo Bellelli: <em>Etrusco-Corinthian Notes. A Class of Pottery and its Socio-Economic Context in Two Centuries of Scholarship<\/em><br \/>\nGunnel Ekroth:<em> Why (not) Paint an Altar? A Study of Where, When and Why Altars appear on Attic Red-figure Vases<\/em><br \/>\nEleni Hatzivassiliou: <em>Warriors at a Mound: A Puzzle Scene by Theseus and Athena Painters<\/em><br \/>\nSian Lewis: <em>Athletics on Attic Pottery: Export and Imagery<\/em><br \/>\nCathrine Morgan: <em>Imports on the Dining Table? The Function of Attic Pottery in the Bosphoran Kingdom<\/em><br \/>\nDiego Elia: <em>Research Perspectives in the Study of South Italian Vase-painting: the case of Red-figure Pottery from Locri Epizephyrii<\/em><br \/>\nErich Kistler: <em>The Encoding and Decoding of Satyr-symposiasts at Vases in Archaic and Classical Athens<\/em><br \/>\nRicard Theodore Neer: <em>The Incontinence of Civic Authority:Pictorial Iambos in Athenian Vase-painting<\/em><br \/>\nStefan Schmidt: <em>Images of Statues on Attic Vases: The Case of the Tyrannicides<\/em><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>G. Grousset: \u201cAlli\u00e9e \u00e0 une mise en page sobre et a\u00e9r\u00e9e, la bonne qualit\u00e9 des illustrations, nombreuses mais g\u00e9n\u00e9ralement en noir et blanc, contribue \u00e0 rendre la lecture de cet ouvrage des plus agr\u00e9able.\u201d <em>Latomus<\/em> 2012\/71\/2, 607\u2013610.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72e32f\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XL &nbsp;&nbsp;<em>Religion and Society. Rituals, Resources and Identity in the Ancient Graeco-Roman World. The BOMOS-Conferences 2002-2005<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: A.Holm Rasmussen &amp; S. William Rasmussen<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p><strong>Part I: Ritual and Cult<\/strong><br \/>\nJ. Podemann S\u00f8rensen:<em> A Theory of Ritual<\/em><br \/>\nJ.A. North: <em>Acting and Ritual in Roman Historians: or how Horatius held the door post\u00a0<\/em><br \/>\nS.William Rasmussen: <em>Ritual and Identity: a Sociological Perspective on the Expiation of Public Portens in Ancient Rome<\/em><br \/>\nJ.F. Miller: <em>Poets atthe Palatine Temple of Apollo<\/em><br \/>\nI. Gradel: <em>Ritual, Death, and Divinity: Titulature in Imperial Epitaphs<\/em><br \/>\nI M\u00e6hle:<em> Female Cult in the Struggle of the Orders<\/em><br \/>\nA.Holm Rasmussen: <em>Priest and Ritual in Ancient Greek Cult<\/em><br \/>\nL. Briut Zaidman: <em>Rites et mythes en Gr\u00e8ce ancienne. Sur les traces de Pausanias<\/em><br \/>\nV. Rosenberger: <em>Gifts and Oracles: Aspects of Religious Communication<\/em><br \/>\nK. R\u00f8rby Kristensen: <em>The &#8220;Ritual&#8221; of Legislation: Some Preliminary Refections on the Interaction of Law and Religion in Ancient Crete<\/em><\/p>\n<p><strong>Part II: Resources and Manpower<\/strong><br \/>\nB. Fors\u00e9n: <em>Resources and Manpower Needed for Constructing Greek Temples &#8211; Reflections Stemming from an Arcadian SanctuaryK. Buraselis:Priesthoods for Sale. Comments on Ideological and Financial Aspects of the Sale of Priesthoods in the Greek Cities of the Hellenistic and Roman Periods<\/em><br \/>\nA. Holm Rasmussen: <em>Priests and Liturgies<\/em><br \/>\nJ. Wallenstein: <em>Resources for Manpower. Magistrates&#8217;Dedications to Aphrodite<\/em><br \/>\nS. William Rasmussen: <em>Sacred Sex as a Resource? Ritual Prostitution and Roman Religion<\/em><br \/>\nC. Kvium: <em>The Ownership og Sacred Things. Observations on Sacred, public and Private Property in the Late Roman Republic and Early Empire<\/em><\/p>\n<p><strong>Part III: Religion and Identity<\/strong><br \/>\nS. Price: <em>Memory in Ancient GreeceL. Bruit Zaidman:La notion d&#8217;archaisme et la construction de l&#8217;identit\u00e9 religieuse dans le monde grec ancien<\/em><br \/>\nJ.A. Krasilnikoff: <em>Pan, Attica and religious Innovation from the Persian Wars to the end of the Fourth Century BC<\/em><br \/>\nR. Parker: <em>The Cults of Sub-Groups and Identity in the Greek WorldK. Buraselis:Woven into the Peplos. Aspects of the Combination of Ruler Cult with Elements of the Traditional Polis Identity in the Hellenistic World<\/em><br \/>\nV. Rosenberger: <em>Panhellenic, Athenian, and Local Identities in the Marmor Parium?<\/em><br \/>\nJ. Whitley: <em>Identity and sacred Topography: The Sanctuaries of Praisos in Eastern Crete\u00a0<\/em><br \/>\nB. Fors\u00e9n: <em>Sacred Topography and Identity in Arcadia<\/em><br \/>\nS.William Rasmussen: <em>Priests, Politics and Problems in Identity Construction in Ancient Rome<\/em><br \/>\nC. Kvium: <em>Identifying Identities &#8211; Some Thought about gentes and gentiles in Archaic Rome<\/em><br \/>\nJ.M. Rosenl\u00f8v: <em>Pious Philosophers. Cosmologies and religious Identities<\/em><br \/>\nJ.E. Skydsgaard: <em>Caesar&#8217;s Horse &#8211; A Note<\/em><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>A. D. Pizzi: \u201cBien plus encore, il y a de bonnes raisons de penser que tout chercheur int\u00e9ress\u00e9 par la religion ou la soci\u00e9t\u00e9 grecque ou romaine trouvera de l\u2019int\u00e9r\u00eat \u00e0 cet ensemble, dont toutes les contributions ne sont pas \u00e9galement convaincantes, mais qui toutes donnent \u00e0 penser.\u201d <em>L\u2019Antiquit\u00e9 Classique<\/em> 2011\/80, 351\u2013354.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72e877\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXXIX &nbsp;&nbsp;<em>BEYOND THE ROMAN FRONTIER - Roman Influences on the Roman Barbaricum<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Thomas Grane<\/p><p style=\"margin:0 0 .25em;\">Editor: Edizioni Quasar<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>Contents<\/p>\n<p>T. Grane: <em>Did the Romans Really Know (or Care) about Southern Scandinavia? An Archaeological Perspective<\/em><br \/>\nL.M. Imer: <em>Greek and Latin Inscriptions in the Northern Barbaricum<\/em><br \/>\nL.M.-B. H\u00f8jbjerg Bjerg: <em>Roman Coins &#8211; Evidence of Possible Nodal Points?<\/em><br \/>\nM. Drevs Dyhrfield-Johnsen: <em>Roman Ideological Influences<\/em><br \/>\nT. Grane: <em>Southern Scandinavia<\/em> Foederati <em>and<\/em> Auxiliarii<em>?<\/em><br \/>\nU. Lund Hansen: <em>Barbarians in the North &#8211; The Greatest Concentration of Roman Weaponry in Europe<\/em><br \/>\nX. Pauli Jensen: <em>Preliminary Remarks on Roman Military Equipment from the War Booty Sacrifice of Vimose, Denmark<\/em><br \/>\nK.S. Hvid: <em>Reconstruction of the Northern Germanic Armies AD 200<\/em><br \/>\nX. Pauli Jensen: <em>The Use of Archers in the Northern Germanic Armies. Evidence from the Danish War Booty Sacrifices<\/em><br \/>\nS.E. Albrethsen: <em>Logistic Problems in Northern European Iron Age Warfare<\/em><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>P. Trousset: \u201cDans ce beau volume ont \u00e9t\u00e9 rassembl\u00e9es par les soins de Thomas Grane 10 \u00e9tudes ayant pour th\u00e8me g\u00e9n\u00e9ral les relations entre l&#8217;Empire romain et les populations de l&#8217;Europe du Nord bien au del\u00e0 de la zone du limes puisqu&#8217;il est question de la Scandinavie et principalement du Danemark.\u201d <em>Latomus<\/em> 2010\/69\/1, 279\u2013280.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72ec99\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXXVIII &nbsp;&nbsp;<em>FARNESE - Pomp, Power and Politics in Renaissance Italy<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Helge Gamrath<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>Contents<\/p>\n<p>I Introducion: Objective, Concepts, method and Literature.<br \/>\nII The general Italian Historical Background<br \/>\nIII The Manifestation of Power. Magnificenza, Renaissance and Humanism<br \/>\nIV The History og the Farnese Family until 1534<br \/>\nV The Manifestation and Incipient Magnificenza of the Farnese Family: Isola Bisentina, &#8220;Farneseland&#8221; and the Palazzo Farnese in Rome (until 1534)<br \/>\nVI The Farnese Family in International Politics. Paul III, the Papal States and Nepotism (1534-1558)<br \/>\nVII The Manifestation and Magnificenza of the Farnese Family (1534-1558)<br \/>\nVIII The Duchies of Parma and Piacenza Restablished and Consolidated (1558-1630)<br \/>\nIX State and Ducal Magnificenza 1558-1630. Palace Building and Town Planning at Piacenza and Parma, in Caprarola and Rome<br \/>\nX The farneses and the other Italian Princely Houses<br \/>\nXI Summing up and Conclusion<br \/>\nXII Epilogue: The Farnese Dynasty after 1630<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><\/div><div class=\"supp-row-group\" style=\"margin-bottom:2em;\"><div class=\"supp-thumbs\" style=\"display:flex;flex-wrap:wrap;gap:1em;\"><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72efe5&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xxxvii.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXXVII<\/div><div class=\"supp-title\"><em>FICTIONS OF ISOLATION - Artistuc and Intellectual Exchange in Rome during the First Half of the Nineteenth Century<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72f391&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xxxvi.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXXVI<\/div><div class=\"supp-title\"><em>DELOS, CARTHAGE, AMPURIAS - The Housing of Three Mediterranean Centres<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72f731&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xxxv.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXXV<\/div><div class=\"supp-title\"><em>THE MIRACULOUS IMAGE IN THE LATE MIDDLE AGES AND RENAISSANCE<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72fbeb&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xxxiv.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXXIV<\/div><div class=\"supp-title\"><em>PUBLIC PORTENTS IN REPUBLICAN ROME<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece72ffb1&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xxxiii.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXXIII<\/div><div class=\"supp-title\"><em>THE ELOQUENCE OF APPROPRIATION - Prolegomena to an Understanding of Spolia in Early Christian Rome.<\/em><\/div><\/div><\/div><div class=\"supp-details\" style=\"display:none;margin-top:1em;\"><\/div><div id=\"supp_6a91ece72efe5\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXXVII &nbsp;&nbsp;<em>FICTIONS OF ISOLATION - Artistuc and Intellectual Exchange in Rome during the First Half of the Nineteenth Century<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Lorenz Enderlein and Nino Zchomelidse<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>Contents<br \/>\nL. Enderlein &amp; N. Zchomelidse: <em>Preface<\/em><br \/>\nP. Schiera: <em>La &#8220;maesta&#8221; internazionale di Roma tra motivi letterari e politica della scienza\u00a0<\/em><br \/>\nS.A. Meyer: <em>Le mostre in campidoglio durante il periodo napoleonico<\/em><br \/>\nG. Izzi: <em>Giuseppe Melchiorri dall&#8217;antiquaria alla storia<\/em><br \/>\nE.M. Bukdahl: <em>The Franch and German Debate on &#8220;Allegory&#8221; in the 18th Century<\/em><br \/>\nM.B. Frank: <em>Ingres and the Nazarenes\u00a0<\/em><br \/>\nM. Thimann: <em>Die schwierige Geburt eines Bildtheologen<\/em><br \/>\nL. Enderlein: <em>&#8220;Wie der faden in einem reichen Blumengewinde&#8221;<\/em><br \/>\nS. Fastert: <em>Hippolyte Flandrin und die Erneuerung der christlichen Bildsprache<\/em><br \/>\nA. Windholz: <em>Der Salone Rosso im spanischen Priestkolleg von Santa Maria di Monserrato<\/em><br \/>\nE. Fiorentini: <em>Scambio di Vedute<\/em><br \/>\nN. Zchomelidse: <em>Land in der Ferne<\/em><br \/>\nL. Enderlein &amp; N. Zchomelidse: <em>&#8220;Lieber Herr Professor&#8221;<\/em><br \/>\nM. B\u00f8gh: <em>Last in Rome<\/em><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72f391\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXXVI &nbsp;&nbsp;<em>DELOS, CARTHAGE, AMPURIAS - The Housing of Three Mediterranean Centres<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Birgit Tang<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>1. Introduction<br \/>\n2. Delos. The Sacred Isalnd of the East<br \/>\n3. Carthage. The Punic Metropolis<br \/>\n4. Ampurias. The Western Colony<br \/>\n5. The Mediterranean Context<br \/>\n6. Conclusion<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>\u00c8. Gran-Aymerich: \u201cCet ouvrage apporte une tr\u00e8s utile contribution \u00e0 l&#8217;histoire des\u00a0sciences humaines et des disciplines artistiques dont Rome a \u00e9t\u00e9 le berceau.\u201d <em>Latomus<\/em> 2008\/67\/4, 1152\u20131152.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72f731\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXXV &nbsp;&nbsp;<em>THE MIRACULOUS IMAGE IN THE LATE MIDDLE AGES AND RENAISSANCE<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Erik Thun\u00f8 and Gerhard Wolf<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>E. Thun\u00f8 &amp; G. Wolf: <em>Preface<\/em><br \/>\nA. Vauchez: <em>Introduction<\/em><br \/>\nR. C. Trexler: <em>Being and Non-Being. Parameters of the Micaculous in the Traditional Religious Image<\/em><br \/>\nE. Thun\u00f8: <em>The Miraculous Image and the Centralized Church. Santa Maria della Consolacione in Todi<\/em><br \/>\nP. Davies: <em>The Lighting of Pilgrimage Shrines in Renaissance Italy<\/em><br \/>\nR. Maniura: <em>The Images and Miracles of Santa Maria delle Carceri<\/em><br \/>\nM. Holmes: <em>The Elusive Origins of the Cult of the Annunziata in Florence<\/em><br \/>\nG. Barone: <em>Immagini miracolose a Roma alla fine del medio Evo<\/em><br \/>\nB. Kempers: <em>The Pope&#8217;s two Bodies. Julius II, Raphael and Saint Luke&#8217;s Vergin of Santa Maria del Popolo<\/em><br \/>\nB. Wisch: <em>Keys to Success. Propriety and Promotion of Miraculous Images by Roman Confraternities<\/em><br \/>\nM. Steen Hansen: <em>Parmigianino and the Defence of a Miraculous Image<\/em><br \/>\nJ. Garnett and Gervase Rosett: <em>Translations of the Miraculous. Cult Images and Their Representations in Early Modern Liguria<\/em><br \/>\nM. Bacci: <em>Portolano sacro. Santuari e immagini sacre lungo le rotte di navigazione del mediterraneo tra tardo Medioevo e prima et\u00e0 moderna<\/em><br \/>\nS. Verdi Webster: <em>Shameless Beauty and Worldly Splendor: On the Spanish Practice of Adorning the Virgin<\/em><br \/>\nA. Lidov: <em>The Flying Hodegetria. The Miraculous Icon as Bearer of Sacred Space<\/em><br \/>\nG. Wolf: <em>Le immagini nel Quattrocento tra miracolo e magia. Per una &#8220;iconologia&#8221; rifondata<\/em><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>D. C. Ahl: \u201cThoroughly researched and adequately illustrated in black-and-white, the\u00a0papers in this volume have significant implications for our understanding of Renaissance art, history, and spirituality.\u201d <em>Renaissance Quarterly<\/em> 2006\/59\/3, 869\u2013870.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72fbeb\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXXIV &nbsp;&nbsp;<em>PUBLIC PORTENTS IN REPUBLICAN ROME<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Susanne William Rasmussen<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<br \/>\nACKNOWLEDGEMENTS<br \/>\nINTRODUCTION<br \/>\nI. SOURCES AND APPROACHES<br \/>\nII. TYPES OF PORTENTS AND PRIESTHOODS<br \/>\nIII. CICERO AND PUBLIC DIVINATION<br \/>\nIV. DIVINATION AS SCIENCE<br \/>\nV. PUBLIC PORTENTS AND AGER ROMANUS VERSUS AGER PEREGRINUS<br \/>\nVI. PUBLIC PORTENTS. RELIGIO-POLITICS, AND THE CONSTRUCTION OF ROMAN IDENTITY<br \/>\nCONCLUSION<br \/>\nDANISH SUMMARY<br \/>\nBIBLIOGRAPHY<br \/>\nILLUSTRATIONS AND MAPS<br \/>\nMAPS GENERAL INDEX<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>N. Bo\u00ebls-Janssen: \u201cMalgr\u00e9 les apparences d\u2019\u00e9tude de S. William Rasmussen est en fin de compte positive dans la mesure o\u00f9 elle r\u00e9habilite la valeur fondamentale de la divination dans la cit\u00e9 romaine.\u201d <em>Latomus<\/em> 2008\/67\/2, 507\u2013510.<\/p>\n<p>F. v. Haeperen: \u201cEst bien mis en \u00e9vidence le lien tr\u00e8s fort entre l&#8217;institutionnalisation de la divination et des pr\u00e9sages publics d&#8217;une part et l&#8217;organisation politique de la R\u00e9publique romaine d&#8217;autre part.\u201d <em>L\u2019Antiquit\u00e9 Classique<\/em> 2005\/74, 419\u2013420.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece72ffb1\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXXIII &nbsp;&nbsp;<em>THE ELOQUENCE OF APPROPRIATION - Prolegomena to an Understanding of Spolia in Early Christian Rome.<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Maria Fabricius Hansen<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>I. INTRODUCTION<br \/>\nII. TRANSLATIO OF MATERIALS<br \/>\nIII. TRANSLATIO OF MEANINGS<br \/>\nIV. TRANSLATIO OF TIME<br \/>\nBibliography<br \/>\nList of Illustrations<br \/>\nPhoto Credits<br \/>\nIndex<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><\/div><div class=\"supp-row-group\" style=\"margin-bottom:2em;\"><div class=\"supp-thumbs\" style=\"display:flex;flex-wrap:wrap;gap:1em;\"><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece7302b0&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xxxii.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXXII<\/div><div class=\"supp-title\"><em>IMAGE AND RELIC - Mediating the Sacred in Early Medieval Rome<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece730691&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xxxi.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXXI<\/div><div class=\"supp-title\"><em>NICCOLO&#039; STENONE. ANATOMISTA, GEOLOGO, VESCOVO.<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece730b67&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xxx.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXX<\/div><div class=\"supp-title\"><em>ANCIENT HISTORY MATTERS - Studies presented to Jens Erik Skydsgaard on His Seventieth Birthday<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece731216&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xxix-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXIX<\/div><div class=\"supp-title\"><em>A CATALOGUE OF SCULPTURES FROM THE SANCTUARY OF DIANA NEMORENSIS<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece731734&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xxviii-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXVIII<\/div><div class=\"supp-title\"><em>THE CULTURAL DEVELOPMNENT IN NORTH WESTERN LUCANIA C. 600-273 BC<\/em><\/div><\/div><\/div><div class=\"supp-details\" style=\"display:none;margin-top:1em;\"><\/div><div id=\"supp_6a91ece7302b0\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXXII &nbsp;&nbsp;<em>IMAGE AND RELIC - Mediating the Sacred in Early Medieval Rome<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Erik Thun\u00f8<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>ACKNOWLEDGMENTS<br \/>\nLIST OF ABBREVIATIONS<br \/>\nINTRODUCTION: IMAGE AND RELIC<br \/>\n1. THE SANCTA SANCTORUM OBJECTS<br \/>\n2. THE ENAMELLED CROSS<br \/>\n3. THE RECTANGULAR CASKET<br \/>\n4. THE CRUCIFORM CASKET<br \/>\n5. PICTORIAL ECLECTISM AND PROGRAMMATIC UNITY<br \/>\n6. MEDIATING THE SACRED AND THE CONSTRUCTION OF A PAPAL IMAGE THEORY<br \/>\n7. POPE PASCAL I AND THE AUTHORIZATION OF THE PAPACY AS MEDIATOR OF THE SACRED<br \/>\nBIBLIOGRAPHY<br \/>\nINDEX<br \/>\nLIST OF ILLUSTRATIONS<br \/>\nCOLOR PLATES<br \/>\nFIGURES<br \/>\nPHOTO CREDITS<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>J. Janssens: \u201cL&#8217;autore dimostra una conoscenza accurata dei monumenti, che in un modo \u03bf l&#8217;altro possono aver avuto un influsso sulle immagini, raffigurate su i reliquiari di Papa Pasquale I. La sua analisi di monumenti e testi \u00e8 precisa e le sue ipotesi sono ben documentate.\u201d <em>Gregorianum<\/em> 2004\/85\/2, 407\u2013408.<\/p>\n<p>M. Rassart-Debergh: \u201cLe livre r\u00e9sulte des recherches que l&#8217;auteur avait faites pour son doctorat d\u00e9fendu \u00e0 Baltimore, \u00e0 l&#8217;universit\u00e9 John Hopkins, en 1999. &#8211; L&#8217;\u00e9tude d\u00e9crit, en d\u00e9tail, trois objets du Sancta Sanctorum , command\u00e9s par le pape Pascal 1er (817-824).\u201d <em>Latomus<\/em> 2010\/69\/4, 1194\u20131195.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece730691\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXXI &nbsp;&nbsp;<em>NICCOLO&#039; STENONE. ANATOMISTA, GEOLOGO, VESCOVO.<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Karen Ascani, Hans Kermit e Gunver Skytte<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>Contents<\/p>\n<p>H. Kermit e G. Skytte: <em>Prefazione<\/em><br \/>\nH. Salvesen: <em>The Holistic Scientist Niels Stensen and the University Ideals and Challengs<\/em><br \/>\nS. Holsting: <em>A Homage<\/em><br \/>\nH. Kermit: <em>The Life of Niels Stensen<\/em><br \/>\nH. Kermit: <em>The Oneness in Niels Stensen&#8217;s Life<\/em><br \/>\nP. Totaro: <em>&#8220;Ho certi amici in Ollandia&#8221;: Stensen and Spinoza &#8211; science verso faith<\/em><br \/>\nAV. Vad: <em>Polidore and Th\u00e9ophile: the ratinalist and the faithful Observer<\/em><br \/>\nJ.M. Hansen: <em>Il giudizio di Stenone sulla metodologia cartesiana<\/em><br \/>\nT. Kardel: <em>On &#8220;Perhaps the Weakest&#8221; og Stenone&#8217;s Works: What Causes Muscular Movement, Inflation or Contraction?<\/em><br \/>\nS. De Rosa: <em>Cosimo III de&#8217;Medici e Niccol\u00f2 Stenone<\/em><br \/>\nK.E. B\u00f8rresen: <em>Some Approaches to Niels Stensten&#8217;s Theology<\/em><br \/>\nA. Ziggelaar S.J.: <em>L&#8217;evoluzione spirituale di Niccol\u00f2 Stenone giovane.<\/em><br \/>\nN. Stensen: <em>Chronology<\/em><br \/>\nAuthors&#8217; addresses<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece730b67\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXX &nbsp;&nbsp;<em>ANCIENT HISTORY MATTERS - Studies presented to Jens Erik Skydsgaard on His Seventieth Birthday<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Karen Ascani, Vincent Gabrielsen, Kirsten Kvist, Anders Holm Rasmussen<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>Preface<br \/>\nC.R. Whittaker: <em>Proto-industrialization in Roman Gaul<\/em><br \/>\nE. Christiansen: <em>The Moses Finley Approach to Slavery and Slave Society<\/em><br \/>\nT. Bekker-Nielsen: <em>Fish in the Ancient Economy<\/em><br \/>\nG. Shipley: <em>Rural Landscape Change in Hellenistic Greece<\/em><br \/>\nJ. A. Krasilnikoff: <em>Water and Farming in Classical Greece: Evidence, Method and Perspective<\/em><br \/>\nM. Jameson: <em>Attic Eschatia<\/em><br \/>\nB. Wells: <em>The kontopore\u00eda&#8211;a Route from Argos to Korinth<\/em><br \/>\nL. Quilici: <em>Da Roma alle foci del Garigliano. Per un parco regionale della Via Appia Antica<\/em><br \/>\nH. Forbes &amp; L. Foxhall: <em>Anonyma Therina: Summer Crops in Theophrastus and in Modern Greece<\/em><br \/>\nP. N. Doukellis: <em>Pour une approche des cadastres romains en Gr\u00e8ce: Remarques r\u00e9trospectives<\/em><br \/>\nJesper Carlsen: <em>Estate Managers in Ancient Greek Agriculture<\/em><br \/>\n\u00d6. Wikander: <em>&#8220;Where of Old all the Mills of the City have been Constructed&#8221;. The Capacity of the Janiculum Mills in Rome<\/em><br \/>\nJ. Isager: <em>Pliny on Poison, Agriculture and Art<\/em><br \/>\nL. Hannestad: <em>Gods and Agriculture: Evidence from an Agrarian Settlement in the North-Western Crimea<\/em><br \/>\nS. Isager: <em>Halikarnassos and the Well of Aphrodite. On EG 199, Text and Provenance<\/em><br \/>\nA. Holm Rasmussen: <em>The Attalid Kingdom and the Cult of Cybele at Pessinous<\/em><br \/>\nS. William Rasmussen: <em>Ars haruspicina and ars nesciendi&#8211;Some Reflections on a Sheep&#8217;s Liver<\/em><br \/>\nJ. Ch. Meyer: <em>Omens, Prophecies and Oracles in Ancient Decision-Making<\/em><br \/>\nCh. Wikander: <em>Dynasty&#8211;The Environment of Hellenistic Monarchs<\/em><br \/>\nM. Herman Hansen: <em>The 190 Themistokles ostraka as Evidence of Large Political Groups<\/em><br \/>\nJ. H. Schreiner: <em>The Naval Policy of Themistokles<\/em><br \/>\nV. Gabrielsen: <em>Socio-economic Classes and Ancient Greek Warfare<\/em><br \/>\nN. M. Saxtorph \u2020 &amp; Christian Gorm Tortzen: <em>Acies contra Alanos: Arrian on Military Tactics<\/em><br \/>\nA. S\u00f8by Christensen: <em>Caesar&#8217;s Last Will and Testament?<\/em><br \/>\nK. Friis Johansen: <em>On the Composition of Plato&#8217;s Republic. Some Reflections<\/em><br \/>\nJ. Christensen: <em>A Note on Patientia as a Political Term in Cicero&#8217;s In Catilinam I.1<\/em><br \/>\nD. Vera: <em>Res pecuariae imperiali e concili municipali nell&#8217;Apulia tardoantica<\/em><br \/>\nP. Bruun: <em>Coins and History<\/em><br \/>\nN. Hannestad: <em>My Best Ideas&#8211;I Got Them from Others<\/em><br \/>\nM. Moltesen: <em>Three Little Bears<\/em><br \/>\nK. Ascani: <em>Georg Zoega e Napoli<\/em><br \/>\nI. Gradel: <em>Syme&#8217;s Roman Revolution&#8211;and a British One<\/em><br \/>\nE. Hansen: <em>Souvenirs de Delphes<\/em><br \/>\nK. Kvist: <em>Works Published by Jens Erik Skydsgaard<\/em><br \/>\nIndex<br \/>\nTabula Gratulatoria<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>J. Debergh: \u201cCe volume d&#8217;hommages \u00e0 J. E. Skydsgaard, qui enseigna de longues ann\u00e9es l&#8217;Histoire ancienne \u00e0 l&#8217;Universit\u00e9 de Copenhague (&#8230;), compte 34 contributions. Elles int\u00e9ressent en particulier l&#8217;agriculture tant dans le monde grec que dans le monde romain.\u201d <em>Latomus<\/em> 2003\/62\/2, 475\u2013476.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece731216\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXIX &nbsp;&nbsp;<em>A CATALOGUE OF SCULPTURES FROM THE SANCTUARY OF DIANA NEMORENSIS<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Pia Guldager Bilde &amp; Mette Moltesen<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>A Catalogue of Sculptures from the Sanctuary of Diana Nemorensis in The University of Pennsylvania Museum, Philadelphia.<br \/>\nCatalogue<br \/>\nAppendix 1<br \/>\nAppendix 2<br \/>\nBibliography and Abbreviations<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>H. Lavagne: \u201cCatalogue de taille modeste mais d&#8217;excellente qualit\u00e9, r\u00e9unissant 44 notices.\u201d <em>Latomus<\/em> 2007\/66\/1, 288\u2013288.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece731734\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXVIII &nbsp;&nbsp;<em>THE CULTURAL DEVELOPMNENT IN NORTH WESTERN LUCANIA C. 600-273 BC<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Helle W. Horsn\u00e6s<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>Acknowledgements<br \/>\nChapter1. Introduction<br \/>\nCHapter 2. Topography<br \/>\nChapter 3. Achaeological evidence from Northwestern Lucania<br \/>\nChapter 4. Literary sources<br \/>\nChapter 5. Conclusions<br \/>\nCatalogue of sites<br \/>\nList of illustrations<br \/>\nIndex<br \/>\nBibliography and abbreviations<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>L. Moscati Castelnuovo: \u201c(&#8230;) il volume di Helle W. Horsnaes (&#8230;) fornisce un&#8217;analisi sistematica ed aggiornata della cultura materiale delle popolazioni indigene stanziate nella Lucania nord-occidentale nel periodo caratterizzato dalla presenza greca, ossia dal 600 ca., epoca della fondazione di Poseidonia, fino al 273, anno dell&#8217;istituzione della colonia latina di Paestum.\u201d <em>Latomus<\/em>, 2007\/66\/4, 1042\u201344.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"supp-row-group\" style=\"margin-bottom:2em;\"><div class=\"supp-thumbs\" style=\"display:flex;flex-wrap:wrap;gap:1em;\"><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece731afa&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xxvii-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXVII<\/div><div class=\"supp-title\"><em>URBAN SPACE AND URBAN CONSERVATION AS AN AESTHETIC PROBLEM<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece731e63&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xxvi-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXVI<\/div><div class=\"supp-title\"><em>LA VISIONE ESISTENZIALE NEI ROMANZI DI ELSA MORANTE<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece732167&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xxv-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXV<\/div><div class=\"supp-title\"><em>AVIGNON &amp; NAPLES. Italy in France - France in Italy in the Fourteenth Century<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece732609&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xxiv-scaled.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXIV<\/div><div class=\"supp-title\"><em>VILICI AND ROMAN ESTATE MANAGERS UNTIL AD 284<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece73291b&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2026\/01\/xxiii-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXIII<\/div><div class=\"supp-title\"><em>GOLDONI ET LE DRAME BOURGEOIS<\/em><\/div><\/div><\/div><div class=\"supp-details\" style=\"display:none;margin-top:1em;\"><\/div><div id=\"supp_6a91ece731afa\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXVII &nbsp;&nbsp;<em>URBAN SPACE AND URBAN CONSERVATION AS AN AESTHETIC PROBLEM<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: G. Algreen-Ussing, L. Bek, S. Bo Frandsen &amp; J. Schjerup Hansen<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>S. Bo Frandsen: <em>The Representation og History in medieval Cities of Central Italy<\/em><br \/>\nA. Rom\u00e1n: <em>Qualities of Historic towns to be Preserved &#8211; According to the Charter and Besides it<\/em><br \/>\nJ. King: <em>Aesthetic in Integrated Conservation Planning: A Consideration of its Value<\/em><br \/>\nD. Kolb: <em>The Age of the List<\/em><br \/>\nM. C. Boyer: <em>Urban Form and the Intentional Artifice<\/em><br \/>\nA. Sutcliffe: <em>The Street as an Eternal Component of Urban Form<\/em><br \/>\nL. Bek: <em>Historicity of Sight. Consequences and prognoses for Urban Space and urban Conservation<\/em><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece731e63\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXVI &nbsp;&nbsp;<em>LA VISIONE ESISTENZIALE NEI ROMANZI DI ELSA MORANTE<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Conny-Kaj J\u00f8rgensen<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>Indice<\/p>\n<p>INTRODUZIONE<br \/>\n1. L&#8217;UNIVERSO POETICO<br \/>\n2. INGANNO E INCANTO<br \/>\n3. UN IDILLIO PRECARIO<br \/>\n4. SCONFORTO E SPERANZA<br \/>\n5. UN GRIDO DI DOLORE<br \/>\n6. LE VIRT\u00d9 TEOLOGALI<br \/>\n7. CONCLUSIONE<br \/>\nBIBLIOGRAFIA<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece732167\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXV &nbsp;&nbsp;<em>AVIGNON &amp; NAPLES. Italy in France - France in Italy in the Fourteenth Century<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Marianne Pade, Hannemarie Ragn Jensen and Lene Waage Petersen<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>Sommario<\/p>\n<p>Premessa<br \/>\nG. Billanovich: <em>Codici francesi in Lombardia fra Tre e Quattrocento<\/em><br \/>\nB. Munk Olsen: <em>L&#8217;\u00e9tude des classiques \u00e0 Avignon au XIVe si\u00e8cle<\/em><br \/>\nA. Manfredi: <em>Un codice di Plinio il Giovane per Benedetto XIII<\/em><br \/>\nL. Bek: <em>Paradise into Landscape. The Notion of Pictorial Space as an Experience of Identity<\/em><br \/>\nH. Ragn Jensen: <em>The Presence of Vitruvius in Petrarch&#8217;s Avignon<\/em><br \/>\nF.J. Nichols: <em>Petrarch Transplants the Muses<\/em><br \/>\nM. Skafte Jensen: <em>Petrarch&#8217;s farewell to Avignon: <\/em>Bucolicum Carmen<em> VIII<\/em><br \/>\nK. Friis-Jensen: <em>Petrarch and the Medieval Horace<\/em><br \/>\nM. Laureys: <em>Between <\/em>Mirabilia<em> and <\/em>Roma Instaurata<em>: Giovanni Cavallini&#8217;s <\/em>Polistoria<br \/>\nR. Mercuri: <em>Avignon e Napoli in Dante, Petrarca e Bocaccio<\/em><br \/>\nA. Varvaro: <em>L&#8217;Italia meridionale nelle cronache di Jean Froissart<\/em><br \/>\nC. Lee: <em>Avignon and Naples: an Italian Court in France, a French Court in Italy<\/em><br \/>\nM. Pade: <em>The Fragments of Theodontius in Boccaccio&#8217;s <\/em>Genealogie Deorum Gentilium Libri<br \/>\nJ. Bergsagel: <em>Some Musical Connections Between France and Italy in the 14th Century<\/em><br \/>\nBibliografia selettiva<br \/>\nIndice dei nomi<br \/>\nIndice dei manoscritti<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>H. Dietrich: \u201cIn diesem weist der Autor auf w\u00e4hrend seiner Arbeit an diesem Band gewonnene Kenntnisse hin, die Erg\u00e4nzungen und Korrekturen zur Forschung \u00fcber den gesamten Verlauf der Aurelianische Mauer beinhalten.\u201d <em>Orbis Terrarum<\/em> 1998\/5, 256.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece732609\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXIV &nbsp;&nbsp;<em>VILICI AND ROMAN ESTATE MANAGERS UNTIL AD 284<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Jesper Carlsen<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>I. INTRODUCTION<br \/>\nII. VILICUS<br \/>\nIII. VILICUS RUSTICUS<br \/>\nIV. VILICUS ET COLONUS<br \/>\nV. ACTOR<br \/>\nVI. OFFICIALES DOMUS<br \/>\nVII. CONCLUSIONS<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece73291b\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXIII &nbsp;&nbsp;<em>GOLDONI ET LE DRAME BOURGEOIS<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Michel Olsen<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>Introduction<br \/>\nLa com\u00e9die sensible<br \/>\nLe drame Bourgeois de Diderot<br \/>\nGoldoni et le th\u00e9\u00e2tre bourgeois<br \/>\nDeux dramaturges danois<br \/>\nConclusions g\u00e9n\u00e9rales<br \/>\nL&#8217;autorit\u00e9 dans le triangle<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>L. Klem: \u201cL\u2019auteur s\u2019est s\u00e9rieusement occup\u00e9 de s&#8217;\u00e9carter de ses propres valeurs, comme des valeurs du XXi\u00e8me si\u00e8cle dans l\u2019ensemble, et selon mon opinion il y a r\u00e9ussi. Apr\u00e8s la lecture on conna\u00eet et comprend mieux le monde de Goldoni.\u201d <em>Orbis Litterarum<\/em> 1998\/53, 269\u2013276.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"supp-row-group\" style=\"margin-bottom:2em;\"><div class=\"supp-thumbs\" style=\"display:flex;flex-wrap:wrap;gap:1em;\"><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece732c7f&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2026\/01\/xxii-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXII<\/div><div class=\"supp-title\"><em>LANDUSE IN THE ROMAN EMPIRE<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece73317c&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2026\/01\/xxi-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XXI<\/div><div class=\"supp-title\"><em>EXCAVATIONS AT LA GIOSTRA. A Mid-Republican Fortress outside Rome.<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece7335b6&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2026\/01\/xx-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XX<\/div><div class=\"supp-title\"><em>ALEXANDER THE GREAT - Reality and Myth<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece733ae4&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xvii-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XIX<\/div><div class=\"supp-title\"><em>UNTERSUCHUNGEN AN DEN TRAJANSTHERMEN ZU ROM  II: Sette Sale<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece733ee4&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xviii.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XVIII<\/div><div class=\"supp-title\"><em>THORVALDSEN - L&#039;ambiente, l&#039;influsso, il mito<\/em><\/div><\/div><\/div><div class=\"supp-details\" style=\"display:none;margin-top:1em;\"><\/div><div id=\"supp_6a91ece732c7f\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXII &nbsp;&nbsp;<em>LANDUSE IN THE ROMAN EMPIRE<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Jesper Carlsen, Peter \u00d8rsted, Jens Erik Skydsgaard<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>J. Carlsen: <em>CIL X 8217 and the Question of Temple Land in Roman Italy<\/em><br \/>\nP.L. Dall&#8217;Aglio: <em>Centuriazione e uso territorio nella pianura emiliana<\/em><br \/>\nR. Bruce Hitchner: <em>Image and Reality: The Changing Face of Pastoralism in the Tunisian High Steppe<\/em><br \/>\nDennis P. Kehoe: <em>Approaches to Profit and Management in Roman Agriculture: The Evidence of the Digest<\/em><br \/>\nJ. Kolendo: <em>Praedia suburbana e loro redditivit\u00e0<\/em><br \/>\nP. Leveau: <em>Dal paesaggio naturale al paesaggio coltivato. Dati archeologici relativi ai grandi lavori agricoli in et\u00e0 romana: il drenaggio delle paludi nella Bassa Provenza<\/em><br \/>\nD. Manacorda: <em>Gli aselli dossuarii di Varrone<\/em><br \/>\n<em>D.J. Mattingly: Regional Variation in Roman <\/em>Oleoculture: Some Problems of Comparability H.F.C. M\u00f8rch: <em>Agricultural Landscape: A Geographer&#8217;s Considerations on the Past<\/em><br \/>\nP. \u00d8rsted: F<em>rom Henchir Mettich to the Albertini Tablets. A Study in the Economic and Social Significance of the Roman Lease System (<\/em>locatio-conductio<em>)<\/em><br \/>\nL. Quilici: <em>Centuriazione e paesaggio agrario nell&#8217;Italia centrale<\/em><br \/>\nS. Quilici Gigli: <em>The Changing Landscapes of the Roman Campagna: lo sfruttamento del territorio in et\u00e0 imperiale<\/em><br \/>\nP. Rosafio: <em>Slaves and Coloni in the Villa System<\/em><br \/>\nW. Scheidel: <em>Grain Cultivation in the Villa Economy of Roman Italy<\/em><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>R. Chevallier: \u201cCes Actes d\u2019un congr\u00e8s tenu aupr\u00e8s de l\u2019Institut Danois de Rome en janvier 1993, comportent 14 communications.\u201d <em>Revue Belge de Philologie et d\u2019Histoire<\/em> 1996\/74\/1, 180.<\/p>\n<p>P. Desy: \u201cCe volume est une r\u00e9impression inchang\u00e9e, datant de 1997, de l&#8217;\u00e9dition des actes d&#8217;un colloque sur l&#8217;\u00e9conomie agraire romaine qui s&#8217;est tenu \u00e0 l&#8217;Institut danois de Rome en 1993.\u201d <em>L\u2019Antiquit\u00e9 Classique<\/em> 2003\/72, 567\u2013568.<\/p>\n<p>E. Fentress: \u201cThis conference volume contains an interesting if somewhat heterogeneous collection of papers from historians and archaeologists of the Roman countryside. Although the title suggests a more general treatment of the Empire, in practice the papers refer almost exclusively to Italy and Africa Proconsularis, with Philippe Leveau&#8217;s short introduction to his work around the Etang de Berre the only geographic outlier.\u201d <em>Journal of Roman Studies<\/em> 1996\/86, 210\u2013211.<\/p>\n<p>P. Jaliette: \u201cChantier de grande ampleur, auquel contribue l&#8217;ouvrage collectif \u00e9dit\u00e9 par Jesper Carlsen qui aborde de fa\u00e7on stimulante des th\u00e8mes aussi divers que le milieu naturel, la structure agraire, le syst\u00e8me de culture, le paysage, toutes questions difficiles dont l&#8217;\u00e9tude n\u00e9cessite la mobilisation de toutes disciplines.\u201d <em>Revue du Nord <\/em>1997\/79, 194-199.<\/p>\n<p>C. Moatti: \u201cL&#8217;ouvrage dirig\u00e9 par J. Carlsen en est une nouvelle d\u00e9monstration : des articles pointus et un refus explicite de toute synth\u00e8se, sous pr\u00e9texte que beaucoup d&#8217;aspects restent d\u00e9battus. Le r\u00e9sultat n&#8217;en est pas moins passionnant en raison de la qualit\u00e9 des contributions et de la diversit\u00e9 des mises au point\u201d <em>Revue historique de droit fran\u00e7ais et \u00e9tranger (1922-)<\/em> 1998\/76\/1, 96\u201397.<\/p>\n<p>J. N. Robert: \u201cAu total, quatorze communications compl\u00e9mentaires pour alimenter \u00abun d\u00e9bat fructueux\u00bb selon le terme m\u00eame des \u00e9diteurs. Mais, comme ils l&#8217;admettent eux-m\u00eames, nos connaissances sont encore trop insuffisantes pour pouvoir \u00e9crire une histoire de l&#8217;agriculture dans le monde romain, surtout en ce qui concerne la romanit\u00e9 tardive.\u201d <em>Latomus<\/em> 1997\/56\/3, 694\u2013695.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece73317c\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XXI &nbsp;&nbsp;<em>EXCAVATIONS AT LA GIOSTRA. A Mid-Republican Fortress outside Rome.<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Mette Moltesen &amp; J. Rasmus Brandt<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>I. J. Rasmus Brandt:<em> General topography<\/em><br \/>\nII. J. Rasmus Brandt:<em>La Giostra in modern cartographical and historical studies.<\/em><br \/>\nIII. J. Rasmus Brandt:<em> The excavations<\/em><br \/>\nIV. Mette Moltesen:<em> Catalogue of the finds.<\/em><br \/>\nV. Mette Moltesen &amp; J. Rasmus Brandt<em>: Interpretations of the architectural remains<\/em><br \/>\nVI. Mette Moltesen:<em> a Roman fortress and its historical context<\/em><br \/>\nAppendices<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>J. Debergh: \u201cA. Moneti, La Santa Sofia di Giustiniano e il Tempio del Sole di Aureliano (&#8230;) pr\u00e9sente des arguments solides pour affirmer que l&#8217;eglise constantinopolitaine d\u00e9rive directement du monument \u00e9lev\u00e9 en 274 par Aur\u00e9lien (&#8230;), dont des documents graphiques du XVIe s. du d\u00e9but du XVIIe ont conserv\u00e9 l&#8217;aspect.\u201d <em>Latomus<\/em> 1995\/54\/4, 956\u2013956.<\/p>\n<p>A. Francis:\u00a0 \u201cCette chronique des fouilles des fouilles danoises (1976-1978) de La Giostra, colline fortifi\u00e9e \u00e0 14 km au sud-est de Rome, commence par le classique chapitre consacr\u00e9 \u00e0 la description topographie et toponymique du site, ainsi qu&#8217;\u00e0 l&#8217;historique de sa d\u00e9couverte.\u201d <em>Revue Belge de Philologie et d\u2019Histoire<\/em> 1996\/74\/1, 244-245.<\/p>\n<p>J. Poucet: \u201cLa publication des r\u00e9sultats, tr\u00e8s soign\u00e9e et pr\u00e9c\u00e9d\u00e9e d&#8217;une \u00e9tude cartographique et historiographique approfondie, est abondamment illustr\u00e9e de dessins et de photos en noir et blanc.\u201d <em>Latomus<\/em> 1997\/56\/2, 456.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece7335b6\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XX &nbsp;&nbsp;<em>ALEXANDER THE GREAT - Reality and Myth<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Jesper Carlsen, Bodil Due, Otto Steen Due &amp; Birte Poulsen<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>O.S. Due: <em>Intruction<\/em><br \/>\nP. Briant: <em>Alexandre \u00e0 Sardes<\/em><br \/>\nG. Calcani:<em> L&#8217;immagine di Alessandro Magno nel gruppo equestre del Granico<\/em><br \/>\nJ. Carlsen: <em>Alexander the Great(1970-1990)<\/em><br \/>\nB. Due: <em>Alexander&#8217;s Inspiration and Ideas<\/em><br \/>\nN. Hannestad: Imitatio Alexandri <em>in Roman Art<\/em><br \/>\nM. Heerma van Voss: <em>Alexander und die \u00e4gyptische Religion<\/em><br \/>\nJ. Isager: <em>Alexander the Great in Roman Literature from Pompey to Vespasian<\/em><br \/>\nB. Kiilerich: <em>The Public Image of Alexander the Great<\/em><br \/>\nH. Montgomery: <em>The Greek Historians of Alexander as Literature<\/em><br \/>\nP. Moreno: <em>L&#8217;immagine di Alessandro Magno nell&#8217;opera di Lisippo e di altri artisti contemporanei<\/em><br \/>\nA.M. Nielsen: <em>The Mirage of Alexander &#8211; a Minimalist View<\/em><br \/>\nC. Nylander: <em>Darius III &#8211; The Coward King. Points and Counterpoints<\/em><br \/>\nB. Poulsen: <em>Alexander the Great in Italy during the Hellenistic Period<\/em><br \/>\nM. Jessop Price: <em>Alexander&#8217;s Policy on Coinage<\/em><br \/>\nH.Sancisi-Weerdenburg: <em>Alexander and Persepolis<\/em><br \/>\nS. Sande: <em>The Golden Alexander<\/em><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>J.-M. Bertrand: \u201cOn voit que ce livre n&#8217;a pas piur souci de mettre un terme aux d\u00e9bats, il permet au contraire de relancer certains d&#8217;entre eux ouverts depuis la mort du Roi. Il faut le lire et et remercier le \u00e9diteurs pour en avoir con\u00e7u le programme, en avoir assur\u00e9 l&#8217;edition de facon aussi r\u00e9ussie.\u201d <em>L\u2019antiquit\u00e9 classique<\/em> 1995\/44, 463-464.<\/p>\n<p>A. Bettini: \u201cIl ventesimo volume del periodico dell&#8217;Accademia di Danimarca contiene dieci contributi relativi a differenti discipline dalle antichit fenicio-punicho, all&#8217;archeologica classica, alla topografia alla storia dell&#8217;arte.\u201d <em>Naia<\/em> 1994\/2, 235-236.<\/p>\n<p>J. Debergh: \u201cCette pr\u00e9cieuse \u00e9tude d&#8217;architecture dessine l&#8217;\u00e9volution des murs et de leurs abords et veut par la m\u00eame occasion inciter les autorit\u00e9s \u00e0 entreprendre des interventions de conservaion et des am\u00e9nagements de voirie effectivement n\u00e9cessaires.\u201d <em>Latomus<\/em> 1994\/53\/2, 503\u2013504.<\/p>\n<p>C. Evers: \u201cDans cette derni\u00e8re livraison des Analecta , F.O. Hvidberg-Hansen (p. 7-30)\u00a0analyse la divinit\u00e9 Sardus Pater en Sardaigne.\u201d <em>L\u2019Antiquit\u00e9 Classique<\/em> 1994\/63, 656-657.<\/p>\n<p>P. Salmon: \u201cLes brilliants contributions r\u00e9unies dans ce magnifique ouvrage tentent de d\u00e9partager la r\u00e9alit\u00e9 du mythe. L&#8217;iconographie est originale, le notes bibliographique sont excellentes, la pr\u00e9sentation est impeccable.\u201d <em>Revue Belge de Philologie et d\u2019Histoire <\/em>1996\/74\/1, 220.<\/p>\n<p>H. Solin: \u201cInsomma, due volumi [dette og det 19. volumen] ben riusciti.\u201d <em>Acta Philologica Fennica<\/em> 1994\/28, 181.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece733ae4\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XIX &nbsp;&nbsp;<em>UNTERSUCHUNGEN AN DEN TRAJANSTHERMEN ZU ROM  II: Sette Sale<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Kjeld de Fine Licht; mit Beitr\u00e4gen von John Lund und J\u00f8rgen Hansen<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>Inhaltsverzeichnis<br \/>\nVorwort<br \/>\nEinleitung<br \/>\nSette Sale<br \/>\nAusgrabungen an den Sette Sale 1981-83<br \/>\nDatierung<br \/>\n\u00c4ltere Bebauung des Ortes<br \/>\nBeilage<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>J. Debergh: \u201cLe nouveau volume de l&#8217;organe de l&#8217;Institut danois de Rome compte plusieurs articles relatifs \u00e0 l&#8217;Italie antique, \u00e9trusque et romaine.\u201d Latomus 1992\/51\/4, 949\u2013950.<\/p>\n<p>H. Dodge: \u201cIt is well-illustrated with clear photographs and diagrams and includes some illuminating eighteenth-century engraving of the site. The dating of the structure to the time of Trajan is discussed in the light of evicence from stamped bricks and lead pipes.\u201d The Journal of Roman Studies 1994\/84, 190-191.<\/p>\n<p>H. Manderscheid: \u201cIn cinque capitoli viene dato, sulla base dei pi\u00f9 vecchi e dei recenti scavi dell&#8217;Autore, un quadro completo dell&#8217;edificio e della sua funzione. I due contributi aggiunti alla fine del libro (&#8230;) completano questo quadro.\u201d Archeologia Classica 1995\/47, 369\u2013374.<\/p>\n<p>F. Sacchi: \u201cConsiderata per lungo tempo e a torto come parte della domus aurea neroniana, la cisterna del complesso delle terme di Traiano, designata sin dal XVI sec. con il termine improprio di &#8216;Sette Sale&#8217;, diviene oggetto in questo volume di uno studio complessivo,frutto di un esame comparato tra dati plani metrici, tecnici e funzionali.\u201d Aevum 1993\/67\/1, 235\u2013235.<\/p>\n<p>H. Solin: \u201cInsomma, due volumi [dette og det 20. volumen] ben riusciti.\u201d Acta Philologica Fennica 1994\/28, 181.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece733ee4\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XVIII &nbsp;&nbsp;<em>THORVALDSEN - L&#039;ambiente, l&#039;influsso, il mito<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Patrick Kragelund e Mogens Nykj\u00e6r<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>SOMMARIO<\/p>\n<p>E. di Majo, S. Susinno: <em>Thorvaldsen a Roma e in Italia. Criteri di una mostra e qualche spunto di ricerca<\/em><br \/>\nA. Pinelli: <em>Il Perseo di Canova e il Giasone di Thorvaldsen: due modelli di &#8220;nudo eroico&#8221; a confronto<\/em><br \/>\nB. J\u00f8rn\u00e6s: <em>Thorvaldsen&#8217;s &#8220;Triumph of Alexander&#8221; in the Palazzo del Quirinale<\/em><br \/>\nE. Debenedetti: <em>Il ruolo di Thorvaldsen nell&#8217;ambito delle istituzioni culturali a Roma<\/em><br \/>\nA. Campitelli: <em>La scuola di Thorvaldsen nelle Ville Torlonia di Roma e Castel Gandolfo<\/em><br \/>\nB. Steindl: <em>Una committenza Torlonia: la cappella Torlonia a San Giovanni in Laterano<\/em><br \/>\nL.P. Biroli Stefanelli: <em>Le opere di Thorvaldsen nella glittica romana dell&#8217;Ottocento<\/em><br \/>\nD. Gallo: <em>Ennio Quirino Visconti e il restauro della scultura antica tra Settecento e Ottocento<\/em><br \/>\nO. Rossi Pinelli: <em>Il frontone di Aegina e la cultura del restauro dell&#8217;antico a Roma intorno al 1816<\/em><br \/>\nR. Giuliani: <em>Thorvaldsen e la colonia romana degli artisti russi<\/em><br \/>\nK. Bott: <em>Wechselbeziehungen zwischen Thorvaldsen und seinen deutschen Auftraggebern<\/em><br \/>\nL. Dimmick: <em>Mythic Proportion: Bertel Thorvaldsen&#8217;s influence in America<\/em><br \/>\nP. Kragelund: <em>Thorvaldsen and Abildgaard<\/em><br \/>\nM. Nykj\u00e6r: <em>Motivi classici nell&#8217;arte danese del primo Ottocento<\/em><br \/>\nE. Fischer: <em>&#8220;Thorvaldsen&#8217;s Arrival in Copenhagen on September 17, 1838&#8221;: Two Paintings by Eckersberg<\/em><br \/>\nE.M. Bukdahl: <em>Winckelman, Wiedewelt, Thorvaldsen and Danish Sculpture in the 1980s<\/em><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>R. Chevallier: \u201cUne grande vari\u00e9t\u00e9 de points de vue originaux, magnifiquement illustr\u00e9s (&#8230;), qui susciteront des recherches parall\u00e8les sur d&#8217;autres artistes n\u00e9oclassiques.\u201d <em>Latomus<\/em> 1995\/55, 732-733.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"supp-row-group\" style=\"margin-bottom:2em;\"><div class=\"supp-thumbs\" style=\"display:flex;flex-wrap:wrap;gap:1em;\"><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece73434b&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xvii-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XVII<\/div><div class=\"supp-title\"><em>PAINTED TOMBS IN ETRURIA. A catalogue<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece734708&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xvi-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XVI<\/div><div class=\"supp-title\"><em>THE BIRTH OF EUROPE - Archeology and social development in the first millennium AD<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece734c2b&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xv-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XV<\/div><div class=\"supp-title\"><em>ELECTIONS, MAGISTRATES AND MUNICIPAL \u00c9LITE - Studies in Pompeian epigraphy<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece735026&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xiv-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XIV<\/div><div class=\"supp-title\"><em>SAXO GRAMMATICUS AS LATIN POET - Studies in the Vers Passages of the Gesta Danorum<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece735468&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xiii-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XIII<\/div><div class=\"supp-title\"><em>TEATRI GRECI E TEATRI ISPIRATI ALL&#039;ARCHITETTURA GRECA IN SICILIA E NELL&#039;ITALIA MRIDIONALE 350-50 A.C.<\/em><\/div><\/div><\/div><div class=\"supp-details\" style=\"display:none;margin-top:1em;\"><\/div><div id=\"supp_6a91ece73434b\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XVII &nbsp;&nbsp;<em>PAINTED TOMBS IN ETRURIA. A catalogue<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Erik Poulsgaard Markussen<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>Acknowledgement<br \/>\nIntroduction<br \/>\nI. REsearch<br \/>\nII. Bibliography<br \/>\nIII. Periodicals and series<br \/>\nIV. Provenances<br \/>\nV. Tombs<br \/>\nVI. Catalogue<br \/>\nVII. Synonymy<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>B. Bouloum\u00e9: \u201cC&#8217;est donc un livre destin\u00e9 \u00e0 un public tr\u00e8s restreint de chercheurs d\u00e9j\u00e0 familiaris\u00e9s avec la bibliographie et surtout avec le catalogue de S. Steingraber. Te qu&#8217;il es, il rendra \u00e9videment service aux specialistes.\u201d <em>L\u2019Antiquit\u00e9 Classique<\/em> 1995\/44, 548.<\/p>\n<p>P. Fountaine: \u201cAvec ce volume, tout qui s&#8217;int\u00e9resse aux peintures des tombes \u00e9trusques, dispose d&#8217;un outil heuristique de premier ordre.\u201d <em>Revue Belge de Philologie et d\u2019Histoire <\/em>1996\/74\/1, 253.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece734708\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XVI &nbsp;&nbsp;<em>THE BIRTH OF EUROPE - Archeology and social development in the first millennium AD<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Klavs Randsborg<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>K. Randsborg: <em>To Study the First Millenium A.D.<\/em><br \/>\n<strong>I. Introduction<\/strong><br \/>\nK. Randsborg: <em>Europe in the First Millenium A.D.: Archaeological Approaches to Longterm<\/em> <em>Changes of Social Practices.<\/em><br \/>\n<strong>II. The Roman Empire and Barbarian Society<\/strong><br \/>\nA. Carandini: <em>Italian Wine and African Oil: Commerce in a World Empire<\/em><br \/>\nD. Manacorda &amp; E. Zanini: <em>The First Millenium A.D. in Rome: From the Porticus Minucia to the Via delle Botteghe Oscure<\/em><br \/>\nW.J.H. Willems: <em>Rome and its Frontier in the North: the Role of the Periphery<\/em><br \/>\nU.L. Hansen: <em>Beyond the Roman Frontier<\/em><br \/>\nJ. Ilkj\u00e6r: <em>The Weapons Sacrifices from Illerup \u00c5dal, Denmark<\/em><br \/>\n<strong>III. Settlement Archaeology in Roman Period Europe<\/strong><br \/>\nG. Barker: <em>The Italian Landscape in the First Millenium A.D.: Some Archaeological Approaches<\/em><br \/>\nE. Fentress &amp; F. Gambi: <em>Villas to Castles: First Millenium A.D. Demography in the Albegna Valley<\/em><br \/>\nF. Kaul: <em>Priorslykke: A Fortified Early First Millenium A.D. Village in Eastern Jutland, Denmarks.<\/em><br \/>\nHvass: <em>Rural Settlements in Denmark in the First Millenium A.D.<\/em><br \/>\n<strong>IV. In the Aftermath of the Empire<\/strong><br \/>\nH. Steuer: <em>Archaeology and History: Proposals on the Social Structure of the Merovingian Empire.<\/em><br \/>\nJ. Hansen: <em>Dankirke: Affluence in Late Iron Age Denmark<\/em><br \/>\nU. N\u00e4sman: T<em>he Gates of Eketorp: To the Question of Roman Prototypes of the \u00d6land Ring-Forts<\/em><br \/>\n<strong>V. The Rise of Western Europe<\/strong><br \/>\nC. Wickham: <em>Italy and the Early Middle Ages<\/em><br \/>\nT. Mannoni: <em>General Remarks on the Changes in Techniques observable in the Material Culture of the First Millenium A.D. in North-West Italy<\/em><br \/>\nG.P. Brogiolo: <em>Building Transformations in a Lombard City<\/em><br \/>\nR. Francovich: <em>The Makings of Medieval Tuscany<\/em><br \/>\nA. Andr\u00e9n: <em>The Early Town in Scandinavia<\/em><br \/>\n<strong>VI. Conclusions<\/strong><br \/>\nR. Hodges: <em>Archaeology and the Class Struggle in the First Millenium A.D.IV. In the Aftermath of the Empire<\/em><br \/>\nH. Steuer: <em>Archaeology and History: Proposals on the Social Structure of the Merovingian Empire<\/em><br \/>\nH.J. Hansen: <em>Dankirke: Affluence in Late Iron Age Denmark<\/em><br \/>\nU. N\u00e4sman: <em>The Gates of Eketorp: To the Question of Roman Prototypes of the \u00d6land Ring-Forts<\/em><\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>O. Buchsenschutz: \u201cHistorien ou arch\u00e9ologue, le non-sp\u00e9cialiste de cette p\u00e9riode retirera, je crois, comme l&#8217;auteur de ces lignes, les exemples d&#8217;un dialogue f\u00e9cond entre les textes et le terrain, entre l&#8217;Italie et l&#8217;Europe du Nord. Le sp\u00e9cialiste trouvera, outre une abondante bilbiographie, la confrontation directe de th\u00e8ses contradictoires, un dialogue f\u00e9cond et stimulant.\u201d <em>RA<\/em> 1992\/1.<\/p>\n<p>F. Canaccini: \u201cA panorama worthy of the highest interest.\u201d <em>Salesianum <\/em>1994\/56\/4, 760.<\/p>\n<p>A. Dierkens: \u201cCe volume s&#8217;inscrit dans un suite impressionnante d&#8217;ouvrages sur le Haut Moyen \u00c2ge parus depuis une dizaine d&#8217;ann\u00e9es. Il se signale par la bonne qualit\u00e9 g\u00e9n\u00e9rale des articles, dont certains sont appel\u00e9s \u00e0 faire date dans l&#8217;historiographie (H. Steuer, en particulier), et par l&#8217;attention pr\u00eat\u00e9e \u00e0 la critique attentive des sources arch\u00e9ologique le plus r\u00e9centes.\u201d <em>L\u2019Antiquit\u00e9 Classique<\/em> 1996\/65, 619\u2013620.<\/p>\n<p>T. Vermeeren: \u201cCet ouvrage qui est \u00e0 classer parmi les tentatives heureuses de par la qualit\u00e9 de sa r\u00e9daction et l&#8217;homog\u00e9nit\u00e9 des sujets trait\u00e9s, est le r\u00e9sultat final d&#8217;un symposium qui s&#8217;est tenu en janvier 1987 sous l&#8217;\u00e9gide de l&#8217;acad\u00e9mie danoise de Rome, en collaboration avec l&#8217;acad\u00e9mie britannique et l&#8217;institut su\u00e9dois d&#8217;\u00e9tudes classiques.\u201d <em>Rahal, <\/em>1990.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece734c2b\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XV &nbsp;&nbsp;<em>ELECTIONS, MAGISTRATES AND MUNICIPAL \u00c9LITE - Studies in Pompeian epigraphy<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Henrik Mouritzen<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>List of abbreviations<br \/>\nPreface<br \/>\n<strong>I. Pompeian epigraphy<\/strong><br \/>\nSources<br \/>\nPompeian studies<br \/>\nCasa ed abitanti di Pompei<br \/>\nDella Corte as an epigraphist<br \/>\n<strong>II. Political institutions in Pompeii<\/strong><br \/>\n<strong>III. Programmata recentiora<\/strong><br \/>\nThe dating of programmata recentiora<br \/>\nThe function of electoral inscriptions in the election campaign and in Pompeii&#8217; s social structure<br \/>\n<strong>IV. Pompeian magistrates and magisterial candidates in the period 80 BC &#8211; 79 AD<\/strong><br \/>\nThe Republican period<br \/>\nThe Augustan and Early Imperial period<br \/>\nThe period 50 to 79 AD<br \/>\nAnalysis of the composition of the magisterial body in the period 80 BC &#8211; 79 AD<br \/>\nConcluding remarks on the social and political structure of Pompeian society<br \/>\nCatalogue of programmata recentiora<br \/>\nCatalogue of individual and collective rogatores<br \/>\nNotes<br \/>\nBibliography<br \/>\nIndices<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>C. Bruun: \u201cThis book is an important contribution to many fields (\u2026), but the recent works by Castr\u00e9n and others are still valuable in several respects when future research sets out to answer the open questions of Pompeian history.\u201d <em>Arctos<\/em> 1990\/24, 201-203.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece735026\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XIV &nbsp;&nbsp;<em>SAXO GRAMMATICUS AS LATIN POET - Studies in the Vers Passages of the Gesta Danorum<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Karsten Friis-Jensen<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>Ackonowledgements<br \/>\nPreface<br \/>\n<strong>I. The author and his conception of poetry<\/strong><br \/>\nThe Gesta Danorum and its author<br \/>\nSaxo and France<br \/>\nSaxo on his poems<br \/>\n<strong>II.The prosimetrum of the Gesta Danorum<\/strong><br \/>\nThe Latin prosimetrum<br \/>\nThe Old Norse prosimetrum<br \/>\nSaxo&#8217; s prosimetrum<br \/>\n<strong>III. The Bjarkam\u00e1l<\/strong><br \/>\nChronology and background<br \/>\nOlrik&#8217; s restoratio<br \/>\nThe poem and its context<br \/>\nExposition of the poem<br \/>\nThe Bjarkam\u00e1l as a Latin epic<br \/>\nA short analysis<br \/>\nThe Aleandreis and fame after death<br \/>\nVergil&#8217; s Nyctomachia and the Bjarkam\u00e1l<br \/>\nThe Blooda Feast at Roskilde and the Bjarkam\u00e1l<br \/>\nConclusion<br \/>\n<strong>IV.Starcatherus the poet<\/strong><br \/>\nBook VI and the power of poetry<br \/>\nSaxo&#8217; s Starcatheru<br \/>\nThe Lay of Helga<br \/>\nThe Lay of Ingellus<br \/>\n<strong>V.Saxo the translator, stylist, and metrician<\/strong><br \/>\nParallelism and the verse of the Gesta Danorum<br \/>\nSaxo&#8217; s poetical language<br \/>\nFormulaic phrasing in the hexameter<br \/>\nMetrical technique<br \/>\nConclusion<br \/>\nAppendix I. Conspectus metrorum<br \/>\nAppendix II<br \/>\nAppendix III<br \/>\nBibliography<br \/>\nIndices<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>K. Wolf: \u201cFriis-Jensens style is clear and incisive, and his arguments are elucidating and convincing. He has done exemplary work.\u201d <em>Scandinavian Studies<\/em> 1990\/62\/3, 346-347.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece735468\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XIII &nbsp;&nbsp;<em>TEATRI GRECI E TEATRI ISPIRATI ALL&#039;ARCHITETTURA GRECA IN SICILIA E NELL&#039;ITALIA MRIDIONALE 350-50 A.C.<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Karina Mitens<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>SOMMARIO<br \/>\nPremessa &#8211; Introduzione &#8211; Notizie storiche sulle ricerche e sugli scavi &#8211; Sicilia &#8211; Italia Meridionale: Magna Graecia, Campania, Samnium, Magna Graecia, Campania, Samnium &#8211; Riepilogo &#8211; Catalogo<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><\/div><div class=\"supp-row-group\" style=\"margin-bottom:2em;\"><div class=\"supp-thumbs\" style=\"display:flex;flex-wrap:wrap;gap:1em;\"><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece735764&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xii-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XII<\/div><div class=\"supp-title\"><em>ROMA SANCTA RENOVATA - Studi sull&#039;urbanistica di Roma nella seconda met\u00e0 del sec. XVI con particolare riferimento al pontificato di Sisto V (1585-1590)<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece735a8c&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/xi-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">XI<\/div><div class=\"supp-title\"><em>PRE-REPUBLICAN ROME An Analysis of the Cultural and Chronological Relations, 1000-500 BC<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece735e1a&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/x-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">X<\/div><div class=\"supp-title\"><em>CITTA&#039; E ARCHITETTURA NELLA ROMA IMPERIALE - atti del seminario del 27 ottobre 1981 nel 25\u00b0 anniversario dell&#039;Accademia di Danimarca<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece736202&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/ix-scaled.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">IX<\/div><div class=\"supp-title\"><em>TOWARDS PARADISE ON EARTH - Modern Space Conception in Architecture<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece73659d&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/viii.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">VIII<\/div><div class=\"supp-title\"><em>LA CATTEDRALE NORMANNA DI CEFALU&#039; - Un frammento della societ\u00e0 socio-politica della Sicilia medievale<\/em><\/div><\/div><\/div><div class=\"supp-details\" style=\"display:none;margin-top:1em;\"><\/div><div id=\"supp_6a91ece735764\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XII &nbsp;&nbsp;<em>ROMA SANCTA RENOVATA - Studi sull&#039;urbanistica di Roma nella seconda met\u00e0 del sec. XVI con particolare riferimento al pontificato di Sisto V (1585-1590)<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Helge Gamrath<\/p><p style=\"margin:0 0 .25em;\">Editor: L\u2019Erma di Bretschneider<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>SOMMARIO<\/p>\n<p>Premessa<br \/>\nIntroduzione<br \/>\n1. La storia e lo sviluppo di Roma fino al 1585<br \/>\n2. L&#8217;epoca di Sisto V e la sua opera a favore di Roma<br \/>\n3. Lo sviluppo politico dello Stato pontificio, la politica ecclesiastica e la situazione della Chiesa<br \/>\n4. La controriforma e la Riforma cattolica a Roma<br \/>\n5. Roma sancta renovata, Sisto V, processioni e strade<br \/>\n6. Prospettiva: la Chiesa visualizzata<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece735a8c\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">XI &nbsp;&nbsp;<em>PRE-REPUBLICAN ROME An Analysis of the Cultural and Chronological Relations, 1000-500 BC<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: J\u00f8rgen Christian Meyer<\/p><p style=\"margin:0 0 .25em;\">Editor: Odense University Press<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>Preface<br \/>\nI. Introduction<br \/>\nII. Relative chronology<br \/>\nIII. Absolute chronology<br \/>\nIV. The urbanization of Rome<br \/>\nV. The foundation of Rome &#8211; The Sabines and Rome<br \/>\nVI. The Etruscans and Rome<br \/>\nVII. Danish resum\u00e9<br \/>\nVIII. Appendix A<br \/>\nIX. Appendix B<br \/>\nX. Bibliography<br \/>\nXI. List of illustrations<br \/>\nXII. Kay maps<br \/>\nXIII. General index<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece735e1a\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">X &nbsp;&nbsp;<em>CITTA&#039; E ARCHITETTURA NELLA ROMA IMPERIALE - atti del seminario del 27 ottobre 1981 nel 25\u00b0 anniversario dell&#039;Accademia di Danimarca<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Kjeld de Fine Licht<\/p><p style=\"margin:0 0 .25em;\">Editor: Odense University Press<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>SOMMARIO<\/p>\n<p>Presentazione<br \/>\nK. Glamann: <em>Il logorio del tempo<\/em><br \/>\nG. Carettoni: <em>Le anterides di Vitruvio. Un esempio di applicazione pratica<\/em><br \/>\nP. Zanker: <em>Der Apollontempel auf dem Palatin. Ausstattung und politische Sinnbez\u00fcge nach der Schlacht von Actium<\/em><br \/>\nF. Coarelli: <em>Il Pantheon, l&#8217;apoteosi di Augusto e l&#8217;apoteosi di Romolo<\/em><br \/>\nS. Quilici Gigli: <em>Estremo Campo Marzio. Alcune osservazioni sulla topografia<\/em><br \/>\nL. Quilici: <em>Il Campo Marzio occidentale<\/em><br \/>\nE. Rodr\u00ecguez-Almeida:<em> Un nuovo frammento della Forma Urbis Marmorea<\/em><br \/>\nF. Castagnoli: <em>Porticus Philii<\/em><br \/>\nG. Rickman: <em>Porticus Minucia<\/em><br \/>\nL. Cozza: <em>Le tegole di marmo del Pantheon<\/em><br \/>\nA. Claridge: <em>Methods of fluting corinthian columns and pilasters<\/em><br \/>\nA. M. Colini: <em>Considerazioni su la Velia da Nerone in poi<\/em><br \/>\nG. Pisani Sartorio: <em>Una domus sotto il giardino del Pio Istituto Rivaldi sulla Velia<\/em><br \/>\nL. Fabbrini: <em>Domus Aurea: una nuova lettura planimetrica del palazzo sul colle Oppio<\/em><br \/>\nK. de Fine Licht: <em>Scavi alle Sette Sale<\/em><br \/>\nV. Santa Maria Scrinari: <em>Il Laterano e le fornaci di epoca imperiale<\/em><br \/>\nA. Steinby: <em>L&#8217;edilizia come industria pubblica e privata<\/em><br \/>\nJ. Erik Skydsgaard: <em>Public Building and Society in Ancient Rome<\/em><br \/>\nIndici<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece736202\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">IX &nbsp;&nbsp;<em>TOWARDS PARADISE ON EARTH - Modern Space Conception in Architecture<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Lise Bek<\/p><p style=\"margin:0 0 .25em;\">Editor: Odense University Press<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>CONTENTS<\/p>\n<p>Preface<br \/>\nContents<br \/>\nList of plates<br \/>\nFigures in the text<br \/>\nIntroduction<br \/>\nPart I: Axiality as a space creating principle from Dante to Alberti<br \/>\nPart II: The principle of axiality, and the origin of modern spatical conception. Albertianism or neo-platonism?<br \/>\nPart III: Axes and space in antiquity. Facts and assumptions<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><div id=\"supp_6a91ece73659d\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">VIII &nbsp;&nbsp;<em>LA CATTEDRALE NORMANNA DI CEFALU&#039; - Un frammento della societ\u00e0 socio-politica della Sicilia medievale<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Thomas Thieme e Ingamaj Beck<\/p><p style=\"margin:0 0 .25em;\">Editor: Odense University Press<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>Premessa<br \/>\nI. Cefal\u00f9 come feudo<br \/>\nII. Cattedrale e citt\u00e0<br \/>\nIII. Cattedrale e castello<br \/>\nIV. Analisi delle strutture del monumento<br \/>\nV. Storia edilizia della cattedrale attraverso i documenti<br \/>\nVI. Proposte di ricostruzione<br \/>\nVII. Iconografia della decorazione musiva<br \/>\nVIII. Frammenti scultorei: un&#8217;interpretazione<br \/>\nIX. Le pitture islamiche del soffitto<br \/>\nX. Determinazione tipologica della cattedrale<br \/>\nXI. Misure e sistema di proporzione<br \/>\nFigure<br \/>\nTavole I-VII<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><\/div><\/div><\/div><\/div><\/div><div class=\"supp-row-group\" style=\"margin-bottom:2em;\"><div class=\"supp-thumbs\" style=\"display:flex;flex-wrap:wrap;gap:1em;\"><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece7368d5&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/vii.jpg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">VII<\/div><div class=\"supp-title\"><em>UNTERSUCHUNGEN AN DEN TRAJANSTHERMEN ZU ROM. I.<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece736cb9&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/vi.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">VI<\/div><div class=\"supp-title\"><em>Le lev\u00e9 du Theatre Romain a Bosra, Syrie<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece737015&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/v.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">V<\/div><div class=\"supp-title\"><em>LA R\u00c9SIDENCE DE DOMITIEN SUR LE PALATIN<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece737381&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/iv.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">IV<\/div><div class=\"supp-title\"><em>VARRO THE SCHOLAR Studies in the first book of Varro&#039;s De Re Rustica<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece7377a1&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/iii.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">III<\/div><div class=\"supp-title\"><em>LA SCAPIGLIATURA Un capitolo della storia del Risorgimento<\/em><\/div><\/div><\/div><div class=\"supp-details\" style=\"display:none;margin-top:1em;\"><\/div><div id=\"supp_6a91ece7368d5\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">VII &nbsp;&nbsp;<em>UNTERSUCHUNGEN AN DEN TRAJANSTHERMEN ZU ROM. I.<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Kjeld de Fine Licht<\/p><p style=\"margin:0 0 .25em;\">Editor: Munksgaard<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>N\/A<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>S. Boucher: \u201cJens Erik Skydsgaard, Transhumance in Ancient Italy , p. 7-36. L&#8217;auteur \u00e9tudie la transhumance, qui (&#8230;)\u201d <em>Latomus<\/em> 1976\/35\/1, 227\u2013228.<\/p>\n<p>H. Jucker: \u201cDer d\u00e4nische Bauforscher schreibt deutsch, als w\u00e4re es seine Muttersprache; dass sie es nicht ist, verraten nur die fast englische Knappheit und die sachliche Klarheit der Formulierungen.\u201d <em>Museum Helveticum<\/em>, 1978\/35\/2, 120-121.<\/p>\n<p>F. De Ruyt: \u201cLe 7e volume des \u00abm\u00e9langes\u00bb de l&#8217;Institut danois de Rome pr\u00e9sente, comme les pr\u00e9c\u00e9dents, un vif int\u00e9r\u00eat.\u201d <em>L\u2019Antiquit\u00e9 Classique<\/em> 1975\/44\/2, 823\u2013824.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece736cb9\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">VI &nbsp;&nbsp;<em>Le lev\u00e9 du Theatre Romain a Bosra, Syrie<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Helge Finsen<\/p><p style=\"margin:0 0 .25em;\">Editor: Munksgaard<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>N\/A<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>J. Debergh: \u201cDeux articles du 6e volume des Analecta de l&#8217;Institut Danois de Rome concernent l&#8217;antiquit\u00e9 romaine (&#8230;)\u201d <em>Latomus <\/em>1975\/34\/1, 279.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece737015\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">V &nbsp;&nbsp;<em>LA R\u00c9SIDENCE DE DOMITIEN SUR LE PALATIN<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Helge Finsen<\/p><p style=\"margin:0 0 .25em;\">Editor: Munksgaard<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>N\/A<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>R. Chevallier: \u201cP. Krarup r\u00e9fl\u00e9chit sur l&#8217;interpr\u00e9tation du. De Republica de Cic\u00e9ron, apr\u00e8s un bref panorama (&#8230;)\u201d <em>Latomus<\/em> 1969\/28\/4, 1143-1144.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece737381\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">IV &nbsp;&nbsp;<em>VARRO THE SCHOLAR Studies in the first book of Varro&#039;s De Re Rustica<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Jens Erik Skydsgaard<\/p><p style=\"margin:0 0 .25em;\">Editor: Munksgaard<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>Preface<\/p>\n<p>Introduction<\/p>\n<p>I. Structure<\/p>\n<p>II. Analytic Method<\/p>\n<p>III. Exemplification<\/p>\n<p>IV. The Agricultural Calendar with Comments (Philological Method)<\/p>\n<p>V. Varro and the Technical Literature<\/p>\n<p>VI. Varro as a Writer<\/p>\n<p>VII. The Roman Scholar<\/p>\n<p>VIII. Varra as a Source<\/p>\n<p>IX. Varro and Caesar&#8217;s library<\/p>\n<p>Dansk resum\u00e9<\/p>\n<p>List of Book Consulted<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>R. Chevallier: \u201cF. S. Johansen dresse un inventaire, admirablement illustr\u00e9, des portraits antiques (sculptures) de Jules C\u00e9sar : l&#8217;\u00e9tude comporte une revue des sources litt\u00e9raires concernant l&#8217;aspect du dictateur, des comparaisons avec les monnaies, l&#8217;orf\u00e8vrerie, les gemmes, une liste des textes mentionnant des statues de C\u00e9sar.\u201d <em>Latomus<\/em> 1969\/28\/4, 1143-1144.<\/p>\n<p>A. S. Gratwick: \u201cThis excellent book, well translated by Mrs. L. Havrelied, while not dealing with any linguistic or textual matters beyond the strictly relevant, and confining itself to the first book, is a landmark in Varronian studies.\u201d <em>The Classical Review<\/em> 1970\/20\/1, 36\u201338.<\/p>\n<p>D. Knecht: \u201cBien que son \u00e9tude soit limit\u00e9e en principe au livre I des Res rusticae ,<\/p>\n<p>M. Skydsgaard parvient \u00e0 donner, \u00e0 c\u00f4t\u00e9 d&#8217;observations de d\u00e9tail toujours int\u00e9ressantes, une bonne vue d&#8217;ensemble de la personnalit\u00e9 fascinante de Varron, mieux, il sait communiquer au lecteur un peu de la sympathie que lui inspire ce polygraphe tant d\u00e9cri\u00e9.\u201d <em>L\u2019Antiquit\u00e9 Classique<\/em> 1969\/38\/1, 248\u2013249.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece7377a1\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">III &nbsp;&nbsp;<em>LA SCAPIGLIATURA Un capitolo della storia del Risorgimento<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: J\u00f8rn Moestrup<\/p><p style=\"margin:0 0 .25em;\">Editor: Munksgaard<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><p>I. Esposizione del tema<\/p>\n<p>II. Rassegna della critica<\/p>\n<p>III. I precedenti<\/p>\n<p>IV. Gli scapigliatti<\/p>\n<p style=\"padding-left: 40px\">A. Il problema critico<br \/>\nB. Emilio Praga<br \/>\nC. Arrigo Boito<br \/>\nD. Iginio Ugo Tarchetti<br \/>\nE. Giovanni Camerana<br \/>\nF. Carlo Dossi<\/p>\n<p>V. Conclusioni<\/p>\n<p style=\"padding-left: 40px\">A. Riassunto<br \/>\nB. Gli scapigliatti nel contesto europeo<br \/>\nC. Gli scapigliatti e il Risorgimento<br \/>\nD. La questione linguistica<br \/>\nE. Gli altri scrittori del quindicennio<\/p>\n<p>VI. Economia del presente studio<\/p>\n<p>VII. Dansk resum\u00e9<\/p>\n<p>VIII. Note<\/p>\n<p>IX. Bibliografia<\/p>\n<p>X. Lista dei nomi<\/p>\n<p>XI. Indice<\/p>\n<\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>R. Chevallier: \u201cJ. A. Bundg\u00e2rd, dans un important m\u00e9moire, r\u00e9fl\u00e9chit sur les conditions de la diffusion de l&#8217;\u00e9criture en Occident (&#8230;)\u201d <em>Latomus<\/em> 1969\/28\/4, 1143-1144.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"supp-row-group\" style=\"margin-bottom:2em;\"><div class=\"supp-thumbs\" style=\"display:flex;flex-wrap:wrap;gap:1em;\"><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece737b87&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/ii.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">II<\/div><div class=\"supp-title\"><em>DOMUS FLAVIA SUR LE PALATIN Aula Regia-Basilica<\/em><\/div><\/div><div class=\"supp-thumb\" onclick=\"document.querySelectorAll(&#039;.supp-details&#039;).forEach(function(p){p.style.display=&#039;none&#039;;});var panel=this.closest(&#039;.supp-row-group&#039;).querySelector(&#039;.supp-details&#039;);panel.innerHTML=document.getElementById(&#039;supp_6a91ece737e9d&#039;).innerHTML;panel.style.display=&#039;block&#039;;window.scrollTo({top: panel.getBoundingClientRect().top + window.scrollY - 20, behavior:&#039;smooth&#039;});\" style=\"flex:1 1 calc(20% - 1em);cursor:pointer;text-align:center;\"><div class=\"thumb-img-wrapper\" style=\"margin-bottom:.5em;\"><img decoding=\"async\" src=\"https:\/\/publikationer.acdan.it\/wp-content\/uploads\/2025\/05\/i.jpeg\" alt=\"\" style=\"width:100%;height:auto;border-radius:4px;\"><\/div><div class=\"supp-name\" style=\"font-weight:600;\">I<\/div><div class=\"supp-title\"><em>LA &quot;PIAZZA D&#039;ORO&quot; E LA SUA CUPOLA<\/em><\/div><\/div><\/div><div class=\"supp-details\" style=\"display:none;margin-top:1em;\"><\/div><div id=\"supp_6a91ece737b87\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">II &nbsp;&nbsp;<em>DOMUS FLAVIA SUR LE PALATIN Aula Regia-Basilica<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: Helge Finsen<\/p><p style=\"margin:0 0 .25em;\">Editor: Munksgaard<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>J. C. Balty: \u201cUn soin extr\u00eame dans les relev\u00e9s et une grande rigueur de l&#8217;analyse caract\u00e9risent ce travail dont il conviendra, me semble-t-il, de tenir le plus grand compte dans la majorit\u00e9 de ses conclusions (&#8230;).\u201d <em>L\u2019Antiquit\u00e9 Classique<\/em> 1964\/33\/1, 284\u2013285.<\/p>\n<p>R. Chevallier: \u201cS. Skovgaard Jensen \u00e9tudie Sylvain et son culte et d&#8217;abord (&#8230;)\u201d <em>Latomus<\/em> 1969\/28\/4, 1143-1144.<\/p>\n<\/div><\/div><\/div><\/div><div id=\"supp_6a91ece737e9d\" class=\"supp-meta-block\" style=\"display:none;\"><h4 style=\"margin:0 0 .5em;\">I &nbsp;&nbsp;<em>LA &quot;PIAZZA D&#039;ORO&quot; E LA SUA CUPOLA<\/em><\/h4><p style=\"margin:0 0 .25em;\">Forfatter: <\/p><p style=\"margin:0 0 .25em;\">Editor: Munksgaard<\/p><div class=\"supp-two-cols\" style=\"display:flex;gap:2em;margin-top:1em;\"><div class=\"supp-col toc\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Contents<\/h5><div class=\"supp-box\"><\/div><\/div><div class=\"supp-col omtale\" style=\"flex:1;\"><h5 style=\"margin-top:0;margin-bottom:.5em;\">Review<\/h5><div class=\"supp-box\"><p>R. Chevallier: \u201cE. Dyggve analyse le d\u00e9cor de la chaire de Saint-Pierre (&#8230;)\u201d <em>Latomus<\/em> 1969\/28\/4, 1143-1144.<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;on|on|on&#8221; module_id=&#8221;Supplementum&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; min_height=&#8221;906px&#8221; custom_padding=&#8221;||4px|||&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width_tablet=&#8221;95%&#8221; width_phone=&#8221;95%&#8221; width_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; pac_dcm_carousel_specific_module_num=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; 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Supplementum (ARIDS) er den [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-12718","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Publikationer - ARID Supplementum - Det Danske Institut i Rom \/ Accademia Di Danimarca<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/publikationer.acdan.it\/en\/publikationer-supplementum\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publikationer - ARID Supplementum - Det Danske Institut i Rom \/ Accademia Di Danimarca\" \/>\n<meta property=\"og:description\" content=\"[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Sektion&#8221; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;||3px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width_tablet=&#8221;95%&#8221; width_phone=&#8221;95%&#8221; width_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; pac_dcm_carousel_specific_module_num=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; header_text_align=&#8221;center&#8221; header_font_size_tablet=&#8221;&#8221; header_font_size_phone=&#8221;48px&#8221; header_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;] ARID Supplementum [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; module_id=&#8221;ARID&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;16px||152px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width_tablet=&#8221;95%&#8221; width_phone=&#8221;95%&#8221; width_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; pac_dcm_carousel_specific_module_num=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;] Analecta Romana Instituti Danici. 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